Written In The Highlands Of Scotland, September 1, 1812.

By Samuel Rogers

    Blue was the loch, [1] the clouds were gone,     Ben-Lomond in his glory shone,     When, Luss, I left thee; when the breeze     Bore me from thy silver sands,     Thy kirk-yard wall among the trees,     Where, grey with age, the dial stands;     That dial so well-known to me!     --Tho' many a shadow it had shed,     Beloved Sister, since with thee     The legend on the stone was read.          The fairy-isles fled far away;     That with its woods and uplands green,     Where shepherd-huts are dimly seen,     And songs are heard at close of day;     That too, the deer's wild covert, fled,     And that, the Asylum of the Dead:     While, as the boat went merrily,     Much of ROB ROY [2] the boat-man told;     His arm that fell below his knee,     His cattle-ford and mountain-hold.          Tarbet, [3] thy shore I climb'd at last,     And, thy shady region pass'd,     Upon another shore I stood,     And look'd upon another flood; [4]     Great Ocean's self! ('Tis He, who fills     That vast and awful depth of hills;)     Where many an elf was playing round,     Who treads unshod his classic ground;     And speaks, his native rocks among,     As FINGAL spoke, and OSSIAN sung.          Night fell; and dark and darker grew     That narrow sea, that narrow sky,     As o'er the glimmering waves we flew.     The sea-bird rustling, wailing by.     And now the grampus, half descried,     Black and huge above the tide;     The cliffs and promontories there,     Front to front, and broad and bare,     Each beyond each, with giant-feet     Advancing as in haste to meet;     The shatter'd fortress, whence the Dane     Blew his shrill blast, nor rush'd in vain,     Tyrant of the drear domain;     All into midnight-shadow sweep--     When day springs upward from the deep! [5]     Kindling the waters in its flight,     The prow wakes splendour; and the oar,     That rose and fell unseen before,     Flashes in a sea of light!     Glad sign, and sure! for now we hail     Thy flowers, Glenfinart, in the gale;     And bright indeed the path should be,     That leads to Friendship and to Thee!          Oh blest retreat, and sacred too!     Sacred as when the bell of prayer     Toll'd duly on the desert air,     And crosses deck'd thy summits blue.     Oft, like some lov'd romantic tale,     Oft shall my weary mind recall,     Amid the hum and stir of men,     Thy beechen grove and waterfall,     Thy ferry with its gliding sail,     And Her--the Lady of the Glen!

Share & Analyze This Poem

Spread the beauty of poetry or dive deeper into analysis

Analyze This Poem

Discover the literary devices, structure, and deeper meaning

Create Image

Transform this poem into a beautiful shareable image

Copy to Clipboard

Save this poem for personal use or sharing offline


Share the Love of Poetry

Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a nostalgic reflection on a journey by water, weaving together personal memory with a sense of place and time. The speaker recounts leaving Luss, a village on the shores of Loch Lomond, and traveling across the water. The poem's structure mirrors this journey, beginning with a description of the idyllic scenery and then moving towards the vastness of the ocean. The speaker's voice is both reflective and celebratory, capturing the beauty of the natural world while also expressing a deep fondness for the people and places encountered along the way. The poem's language is rich with imagery, evoking the silver sands, fairy-isles, and wild covert of the Highlands. The volta occurs with the arrival at Tarbet, marking a shift in the poem's tone from idyllic reminiscence to a more awe-inspiring contemplation of the ocean's power and mystery. The speaker's language becomes more dramatic, emphasizing the vast and awful depth of the sea and the giant-feet of the cliffs. This shift culminates in a final image of the rising sun, a symbol of hope and renewal, as the speaker arrives at Glenfinart, a place of Friendship and Thee, suggesting a return to a cherished haven. The poem's enduring power lies in its ability to evoke both the beauty and the grandeur of the natural world while simultaneously exploring the profound impact of place on memory and identity.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.