Little Bo-Peep.

By Lizzie Lawson

    Little Bo-peep has lost her Sheep,     (It's a secret to you I'm confiding.)     At the end of the shelf,     Where she put them herself,     Her Baa-lambs are safely hiding.     If you put a thing carefully, safely away,     You're sure not to find it when wanted next day.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem deftly subverts a familiar nursery rhyme, using its structure to deliver a playful yet pointed commentary on human forgetfulness. The first stanza mirrors the rhythm and phrasing of the original Bo-Peep rhyme, lulling the reader into a sense of comfort and nostalgia before the second stanza introduces a wry twist. The speaker confesses that the sheep are not actually lost but hidden away, only to reveal in the final lines that this act of careful storage often leads to misplacement. The poem’s brevity and rhyme scheme reinforce its deceptive simplicity, masking a subtle critique of how we organize and then forget our possessions. The final couplet serves as a concise moral, suggesting that over-reliance on organization can paradoxically lead to greater disarray. The poem’s humor lies in its understated observation, reminding readers that even the most meticulous systems are no match for the unpredictability of memory.

Understanding Limerick

A limerick is a five-line poem known for its jaunty rhythm, playful tone, and a punchline twist. It’s built for humor—often sly, sometimes downright silly.


Common characteristics of limericks:

  • Five Lines & Rhyme: The standard scheme is AABBA—the first, second, and fifth lines rhyme; the shorter third and fourth lines rhyme with each other.
  • Bouncy Meter: Typically anapestic (two short, one long beat). Lines 1, 2, and 5 are longer; lines 3 and 4 are shorter.
  • Tone & Humor: Lighthearted, mischievous, and built around a final gag or reversal.
  • Subject & Setup: Often starts with “There once was a … from …,” setting place and character before the comic turn.
  • Sound Play: Internal rhyme, alliteration, and rhythmic snap heighten the joke’s delivery.

The best limericks land like a good toast: quick, musical, and clinched by a memorable last line.