The Sea

By Lewis Carroll

There are certain things, a spider, a ghost, The income-tax, gout, an umbrella for three, That I hate, but the thing that I hate the most Is a thing they call the Sea. Pour some salt water over the floor, Ugly I'm sure you'll allow it to be: Suppose it extended a mile or more, That's very like the Sea. Beat a dog till it howls outright, Cruel, but all very well for a spree; Suppose that one did so day and night, That would be like the Sea. I had a vision of nursery-maids; Tens of thousands passed by me, All leading children with wooden spades, And this was by the Sea. Who invented those spades of wood? Who was it cut them out of the tree? None, I think, but an idiot could, Or one that loved the Sea. It is pleasant and dreamy, no doubt, to float With `thoughts as boundless, and souls as free'; But suppose you are very unwell in a boat, How do you like the Sea. There is an insect that people avoid (Whence is derived the verb `to flee') Where have you been by it most annoyed? In lodgings by the Sea. If you like coffee with sand for dregs, A decided hint of salt in your tea, And a fishy taste in the very eggs, By all means choose the Sea. And if, with these dainties to drink and eat, You prefer not a vestige of grass or tree, And a chronic state of wet in your feet, Then, I recommend the Sea. For I have friends who dwell by the coast, Pleasant friends they are to me! It is when I'm with them I wonder most That anyone likes the Sea. They take me a walk: though tired and stiff, To climb the heights I madly agree: And, after a tumble or so from the cliff, They kindly suggest the Sea. I try the rocks, and I think it cool That they laugh with such an excess of glee, As I heavily slip into every pool, That skirts the cold, cold Sea.

Share & Analyze This Poem

Spread the beauty of poetry or dive deeper into analysis

Analyze This Poem

Discover the literary devices, structure, and deeper meaning

Create Image

Transform this poem into a beautiful shareable image

Copy to Clipboard

Save this poem for personal use or sharing offline


Share the Love of Poetry

Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This extended poem is a satirical diatribe against the sea, structured as a series of escalating grievances. The speaker's voice is unapologetically bitter, using hyperbolic comparisons like likening the sea to the relentless torment of a beaten dog to underscore their aversion. The poem's lack of rhyme and irregular meter mimics the chaotic, unruly nature of the sea itself, while the single-stanza structure suggests an unbroken, inescapable rant. The imagery shifts from the mundane (saltwater on a floor, wooden spades) to the grotesque (a fishy taste in eggs, wet feet), reinforcing the speaker's disdain. A subtle volta occurs midway, where the speaker acknowledges the sea's dreamy allure for some but immediately undercuts it with physical discomfort. The poem concludes with the speaker's bewilderment at others' fondness for the sea, a tone that blends exasperation with dark humor. Notably, the speaker's resistance to the sea's appeal reveals a deeper tension between personal discomfort and societal expectations.

Understanding Limerick

A limerick is a five-line poem known for its jaunty rhythm, playful tone, and a punchline twist. It’s built for humor—often sly, sometimes downright silly.


Common characteristics of limericks:

  • Five Lines & Rhyme: The standard scheme is AABBA—the first, second, and fifth lines rhyme; the shorter third and fourth lines rhyme with each other.
  • Bouncy Meter: Typically anapestic (two short, one long beat). Lines 1, 2, and 5 are longer; lines 3 and 4 are shorter.
  • Tone & Humor: Lighthearted, mischievous, and built around a final gag or reversal.
  • Subject & Setup: Often starts with “There once was a … from …,” setting place and character before the comic turn.
  • Sound Play: Internal rhyme, alliteration, and rhythmic snap heighten the joke’s delivery.

The best limericks land like a good toast: quick, musical, and clinched by a memorable last line.