Beds To The Front Of Them

By Louisa May Alcott

    "Beds to the front of them,     Beds to the right of them,     Beds to the left of them,     Nobody blundered.     Beamed at by hungry souls,     Screamed at with brimming bowls,     Steamed at by army rolls,     Buttered and sundered.     With coffee not cannon plied,     Each must be satisfied,     Whether they lived or died;     All the men wondered."

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
In this poem, the speaker presents a striking tableau of a communal dining space, where rows of beds are arranged in a seemingly deliberate pattern. The lines Beds to the front of them, Beds to the right of them, Beds to the left of them, Nobody blundered create a sense of eerie normalcy, underscoring the idea that this arrangement is not a chance occurrence, but rather a carefully considered design. The speaker then shifts the focus to the diners themselves, who are depicted as a hungry and rowdy crowd, screaming and steaming as they await their meals. The image of the army rolls, steamed at by army rolls, is particularly evocative, suggesting a sense of industrial efficiency and mass production. The final lines, With coffee not cannon plied, Each must be satisfied, Whether they lived or died; All the men wondered, raise profound questions about the nature of sustenance and survival, highlighting the universality of the human need for nourishment, regardless of circumstances. The speaker's observation that All the men wondered suggests a sense of collective awe and curiosity, underscoring the poem's exploration of the human condition.

Understanding Limerick

A limerick is a five-line poem known for its jaunty rhythm, playful tone, and a punchline twist. It’s built for humor—often sly, sometimes downright silly.


Common characteristics of limericks:

  • Five Lines & Rhyme: The standard scheme is AABBA—the first, second, and fifth lines rhyme; the shorter third and fourth lines rhyme with each other.
  • Bouncy Meter: Typically anapestic (two short, one long beat). Lines 1, 2, and 5 are longer; lines 3 and 4 are shorter.
  • Tone & Humor: Lighthearted, mischievous, and built around a final gag or reversal.
  • Subject & Setup: Often starts with “There once was a … from …,” setting place and character before the comic turn.
  • Sound Play: Internal rhyme, alliteration, and rhythmic snap heighten the joke’s delivery.

The best limericks land like a good toast: quick, musical, and clinched by a memorable last line.