The Child And The Hind

By Thomas Campbell

    Come, maids and matrons, to caress     Wiesbaden's gentle hind;     And, smiling, deck its glossy neck     With forest flowers entwined.     'Twas after church, on Ascension day,     When organs ceased to sound,     Wiesbaden's people crowded gay     The deer park's pleasant ground.     Here came a twelve years' married pair,     And with them wander'd free     Seven sons and daughters, blooming fair,     A gladsome sight to see!     Their Wilhelm, little innocent,     The youngest of the seven,     Was beautiful as painters' paint,     The cherubim of heaven.     By turns he gave his hand, so dear,     To parent, sister, brother,     And each, that he was safe and near,     Confided in the other.     But Wilhelm loved the field-flowers bright,     With love beyond all measure;     And cull'd them with as keen delight     As misers gather treasure.     Unnoticed, he contrived to glide     Adown a greenwood alley,     By lilies lured, that grew beside     A streamlet in the valley;     And there, where under beech and birch     The rivulet meander'd,     He stray'd, till neither shout nor search,     Could track where he had wander'd.     Still louder, with increasing dread,     They call'd his darling name:     But 'twas like speaking to the dead,     An echo only came.     Hours pass'd till evening's beetle roams,     And blackbird's songs begin;     Then all went back to happy homes,     Save Wilhelm's kith and kin.     The night came on, all others slept     Their cares away till morn;     But sleepless, all night watch'd and wept     That family forlorn.     Betimes the town-crier had been sent     With loud bell up and down;     And told th' afflicting accident     Throughout Wiesbaden's town.     The news reach'd Nassau's Duke, ere earth     Was gladden'd by the lark,     He sent a hundred solders forth     To ransack all his park.     But though they roused up beast and bird     From many a nest and den,     No signal of success was heard     From all the hundred men.     A second morning's light expands,     Unfound the infant fair;     And Wilhelm's household wring their hands,     Abandon'd to despair.     But, haply, a poor artizan     Search'd ceaselessly, till he     Found safe asleep the little one,     Beneath a birchen tree.     His hand still grasp'd a bunch of flowers;     And, true, though wondrous, near,     To sentry his reposing hours,     There stood a female deer,     Who dipp'd her horns at all that pass'd     The spot where Wilhelm lay;     Till force was had to hold her fast,     And bear the boy away.     Hail! sacred love of childhood, hail!     How sweet it is to trace     Thine instinct in Creation's scale,     Even 'neath the human race.     To this poor wanderer of the wild     Speech, reason were unknown,     And yet she watch'd a sleeping child,     As if it were her own!

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This elegantly constructed narrative poem demonstrates a keen exploration of themes such as innocence, family, and the unexpected bonds of shared vulnerability in nature. The poem tells a story of a young boy, Wilhelm, who is temporarily lost, weaving a narrative that is both intimate and engaging with its rich, sensory imagery. The poet uses nature as a symbol of innocence and purity, represented through the child and the gentle hind, thereby creating a vivid contrast with the anxiety and despair experienced by Wilhelm's family.

Structurally, the poem is consistent and rhythmic, using a regular rhyme scheme and meter to create a feeling of familiarity and comfort, which is juxtaposed against the undercurrent of tension and fear for Wilhelm's safety. The tone of the poem transitions from joyous and peaceful to anxious and desperate, and finally settles into relief and wonder, mirroring the family's emotional journey. The use of a third-person omniscient point of view allows for a comprehensive understanding of the situation and the emotions of each character.

The standout literary device in this poem is the use of personification and anthropomorphism to depict the deer as a sentient being capable of empathy and care. This not only shatters the boundary between humans and animals, but also adds an element of magical realism to the poem. The concluding lines, where the poet hails the sacred love of childhood and instinctual care, underlines the overarching theme of universal connectedness and love.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.