How A Beauty Was Waked And Her Suitor Was Suited

By Guy Wetmore Carryl

    Albeit wholly penniless,     Prince Charming wasn't any less     Conceited than a Croesus or a modern millionaire:     Though often in necessity,     No one would ever guess it. He     Was candidly insolvent, and he frankly didn't care!     Of the many debts he made     Not a one was ever paid,     But no one ever pressed him to refund the borrowed gold:     While he recklessly kept spending,     People gladly kept on lending,     For the fact they knew a title     Was requital     Twenty-fold!     (He lived in sixteen sixty-three,     This smooth unblushing article,     Since when, as far as I can see,     Men haven't changed a particle!)     In Charming's principality     There was a wild locality,     Composed of sombre forest, and of steep and frowning crags,     Of pheasant and of rabbit, too;     And here it was his habit to     Go hunting with his courtiers in the keen pursuit of stags.     But the charger that he rode     So mercurially strode     That the prince on one occasion left the others in the lurch,     And the falling darkness found him,     With no vassals left around him,     Near a building like an abbey,     Or a shabby     Ruined church.     His Highness said: "I'll ring the bell     And stay till morning in it!" (He     Took Hobson's choice, for no hotel     There was in the vicinity.)     His ringing was so vehement     That any one could see he meant     To suffer no refusal, but, in spite of all the din,     There was no answer audible,     And so, with courage laudable,     His Royal Highness turned the knob, and stoutly entered in.     Then he strode across the court,     But he suddenly stopped short     When he passed within the castle by a massive oaken door:     There were courtiers without number,     But they all were plunged in slumber,     The prince's ear delighting     By uniting     In a snore.     The prince remarked: "This must be Philadelphia,     Pennsylvania!"     (And so was born the jest that's still     The comic journal's mania!)     With torpor reprehensible,     Numb, comatose, insensible,     The flunkeys and the chamberlains all slumbered like the dead,     And snored so loud and mournfully,     That Charming passed them scornfully     And came to where a princess lay asleep upon a bed.     She was so extremely fair     That His Highness didn't care     For the risk, and so he kissed her ere a single word he spoke:--     In a jiffy maids and pages,     Ushers, lackeys, squires, and sages,     As fresh as if they'd been at least     A week awake,     Awoke,     And hastened, bustled, dashed and ran     Up stairways and through galleries:     In brief, they one and all began     Again to earn their salaries!     Aroused from her paralysis,     As if in deep analysis     Of him who had awakened her, the princess met his eye:     Her glance at first was critical,     And sternly analytical.     And then she dropped her lashes and she gave a little sigh.     As he watched her, wholly dumb,     She observed: "You doubtless come     For one of two good reasons, and I'm going to ask you which.     Do you mean my house to harry,     Or do you propose to marry?"     He answered: "I may rue it,     But I'll do it,     If you're rich!"     The princess murmured with a smile:     "I've millions, at the least, to come!"     The prince cried: "Please excuse me, while     I go and get the priest to come!"     The Moral: When affairs go ill     The sleeping partner foots the bill.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This whimsical and satirical poem serves as both an entertaining narrative and a critique of societal norms, particularly those surrounding wealth and entitlement. The main character, Prince Charming, embodies the archetype of the cavalier royal who, despite being penniless, lives flamboyantly due to his title. The poem's tone is light-hearted and ironic, employing humor to underline its commentary on the absurdity of social conventions.

The structure of this poem is marked by consistent rhyming couplets and a regular rhythm, which adds to its playful nature and aids in storytelling. Notable literary devices include irony, alliteration, and hyperbole, which heighten the comical presentation of the narrative. One key theme is the notion of entitlement and how societal status can absolve one of financial responsibility. This is illustrated by the prince's cavalier approach to his debts and how others continue to lend him money due to his title. Another theme is the critique of materialistic motivations in marriage, highlighted in the prince's decision to marry only upon discovering the princess's wealth. The moral underscores the idea that those lower in the social hierarchy often bear the consequences of the actions of those at the top, further highlighting the poem's critical stance on societal norms and wealth distribution.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.