Corporal Dicks Promotion - A Ballad Of 82

By Arthur Conan Doyle

    The Eastern day was well-nigh o'er     When, parched with thirst and travel sore,     Two of McPherson's flanking corps     Across the Desert were tramping.     They had wandered off from the beaten track     And now were wearily harking back,     Ever staring round for the signal jack     That marked their comrades camping.     The one was Corporal Robert Dick,     Bearded and burly, short and thick,     Rough of speech and in temper quick,     A hard-faced old rapscallion.     The other, fresh from the barrack square,     Was a raw recruit, smooth-cheeked and fair     Half grown, half drilled, with the weedy air     Of a draft from the home battalion.     Weary and parched and hunger-torn,     They had wandered on from early morn,     And the young boy-soldier limped forlorn,     Now stumbling and now falling.     Around the orange sand-curves lay,     Flecked with boulders, black or grey,     Death-silent, save that far away     A kite was shrilly calling.     A kite? Was THAT a kite? The yell     That shrilly rose and faintly fell?     No kite's, and yet the kite knows well     The long-drawn wild halloo.     And right athwart the evening sky     The yellow sand-spray spurtled high,     And shrill and shriller swelled the cry     Of 'Allah! Allahu!'     The Corporal peered at the crimson West,     Hid his pipe in his khaki vest.     Growled out an oath and onward pressed,     Still glancing over his shoulder.     'Bedouins, mate!' he curtly said;     'We'll find some work for steel and lead,     And maybe sleep in a sandy bed,     Before we're one hour older.     'But just one flutter before we're done.     Stiffen your lip and stand, my son;     We'll take this bloomin' circus on:     Ball-cartridge load! Now, steady!'     With a curse and a prayer the two faced round,     Dogged and grim they stood their ground,     And their breech-blocks snapped with a crisp clean sound     As the rifles sprang to the 'ready.'     Alas for the Emir Ali Khan!     A hundred paces before his clan,     That ebony steed of the prophet's breed     Is the foal of death and of danger.     A spurt of fire, a gasp of pain,     A blueish blurr on the yellow plain,     The chief was down, and his bridle rein     Was in the grip of the stranger.     With the light of hope on his rugged face,     The Corporal sprang to the dead man's place,     One prick with the steel, one thrust with the heel,     And where was the man to outride him?     A grip of his knees, a toss of his rein,     He was settling her down to her gallop again,     When he stopped, for he heard just one faltering word     From the young recruit beside him.     One faltering word from pal to pal,     But it found the heart of the Corporal.     He had sprung to the sand, he had lent him a hand,     'Up, mate! They'll be 'ere in a minute;     Off with you! No palaver! Go!     I'll bide be'ind and run this show.     Promotion has been cursed slow,     And this is my chance to win it.'     Into the saddle he thrust him quick,     Spurred the black mare with a bayonet prick.     Watched her gallop with plunge and with kick     Away o'er the desert careering.     Then he turned with a softened face,     And loosened the strap of his cartridge-case,     While his thoughts flew back to the dear old place     In the sunny Hampshire clearing.     The young boy-private, glancing back,     Saw the Bedouins' wild attack,     And heard the sharp Martini crack.     But as he gazed, already     The fierce fanatic Arab band     Was closing in on every hand,     Until one tawny swirl of sand,     Concealed them in its eddy.     * * *     A squadron of British horse that night,     Galloping hard in the shadowy light,     Came on the scene of that last stern fight,     And found the Corporal lying     Silent and grim on the trampled sand,     His rifle grasped in his stiffened hand,     With the warrior pride of one who died     'Mid a ring of the dead and the dying.     And still when twilight shadows fall,     After the evening bugle call,     In bivouac or in barrack-hall,     His comrades speak of the Corporal,     His death and his devotion.     And there are some who like to say     That perhaps a hidden meaning lay     In the words he spoke, and that the day     When his rough bold spirit passed away     WAS the day that he won promotion.

Share & Analyze This Poem

Spread the beauty of poetry or dive deeper into analysis

Analyze This Poem

Discover the literary devices, structure, and deeper meaning

Create Image

Transform this poem into a beautiful shareable image

Copy to Clipboard

Save this poem for personal use or sharing offline


Share the Love of Poetry

Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem vividly paints the portrait of two soldiers, an experienced corporal and a young recruit, lost and under threat in a hostile terrain. The narrative style employed draws readers into the story, using descriptive language to convey the harshness of the desert landscape, the urgency of their situation, and the contrasting characters of the two soldiers.

The primary themes explored are courage, sacrifice, comradeship, and the harsh realities of war. The tone throughout fluctuates between tense anticipation and somber reflection, mirroring the soldiers' experiences. The veteran soldier's willingness to sacrifice himself for the young recruit is especially poignant, highlighting the bonds formed in the heat of battle. The use of dialogue adds authenticity to the characters and intensifies the emotional impact of their predicament.

The poem’s structure is consistent, employing a traditional rhythm and rhyme scheme that gives the narrative a steady pace and a kind of inexorable march towards the climactic confrontation. The poet’s use of imagery is particularly noteworthy, such as the “yellow sand-spray spurtled high” and the “sharp Martini crack”, both of which contribute to a vivid and immersive depiction of the desert battle. The poignant ending, where the corporal's final act of bravery is remembered by his comrades, serves as a poignant reminder of the human cost of war and the enduring value of courage and sacrifice.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.