Sorrow and the Flowers. - A Memorial Wreath to C. F

By Abram Joseph Ryan

        Sorrow:     A garland for a grave! Fair flowers that bloom,      And only bloom to fade as fast away,     We twine your leaflets 'round our Claudia's tomb,      And with your dying beauty crown her clay.     Ye are the tender types of life's decay;      Your beauty, and your love-enfragranced breath,     From out the hand of June, or heart of May,      Fair flowers! tell less of life and more of death.     My name is Sorrow. I have knelt at graves,      All o'er the weary world for weary years;     I kneel there still, and still my anguish laves      The sleeping dust with moaning streams of tears.     And yet, the while I garland graves as now,      I bring fair wreaths to deck the place of woe;     Whilst joy is crowning many a living brow,      I crown the poor, frail dust that sleeps below.     She was a flower -- fresh, fair and pure, and frail;      A lily in life's morning. God is sweet;     He reached His hand, there rose a mother's wail;      Her lily drooped: 'tis blooming at His feet.     Where are the flowers to crown the faded flower?      I want a garland for another grave;     And who will bring them from the dell and bower,      To crown what God hath taken, with what heaven gave?     As though ye heard my voice, ye heed my will;      Ye come with fairest flowers: give them to me,     To crown our Claudia. Love leads memory still,      To prove at graves love's immortality.         White Rose:     Her grave is not a grave; it is a shrine,      Where innocence reposes,     Bright over which God's stars must love to shine,      And where, when Winter closes,     Fair Spring shall come, and in her garland twine,     Just like this hand of mine,      The whitest of white roses.         Laurel:     I found it on a mountain slope,      The sunlight on its face;     It caught from clouds a smile of hope      That brightened all the place.     They wreathe with it the warrior's brow,      And crown the chieftain's head;     But the laurel's leaves love best to grace      The garland of the dead.         Wild Flower:     I would not live in a garden,      But far from the haunts of men;     Nature herself was my warden,      I lived in a lone little glen.     A wild flower out of the wildwood,      Too wild for even a name;     As strange and as simple as childhood,      And wayward, yet sweet all the same.         Willow Branch:     To sorrow's own sweet crown,      With simple grace,     The weeping-willow bends her branches down         Just like a mother's arm,         To shield from harm,      The dead within their resting place.         Lily:     The angel flower of all the flowers:         Its sister flowers,         In all the bowers     Worship the lily, for it brings,         Wherever it blooms,         On shrines or tombs,     A dream surpassing earthly sense     Of heaven's own stainless innocence.         Violet Leaves:         It is too late for violets,         I only bring their leaves,         I looked in vain for mignonettes         To grace the crown grief weaves;         For queenly May, upon her way,          Robs half the bowers          Of all their flowers,         And leaves but leaves to June.         Ah! beauty fades so soon;     And the valley grows lonely in spite of the sun,     For flowerets are fading fast, one by one.      Leaves for a grave, leaves for a garland,      Leaves for a little flower, gone to the far-land.         Forget-Me-Not:     "Forget-me-not!" The sad words strangely quiver     On lips, like shadows falling on a river,          Flowing away,          By night, by day,         Flowing away forever.     The mountain whence the river springs      Murmurs to it, "forget me not;"     The little stream runs on and sings      On to the sea, and every spot         It passes by         Breathes forth a sigh,     "Forget me not!" "forget me not!"         A Garland:     I bring this for her mother; ah, who knows      The lonely deeps within a mother's heart?     Beneath the wildest wave of woe that flows      Above, around her, when her children part,     There is a sorrow, silent, dark, and lone;     It sheds no tears, it never maketh moan.     Whene'er a child dies from a mother's arms,     A grave is dug within the mother's heart:     She watches it alone; no words of art     Can tell the story of her vigils there.     This garland fading even while 'tis fair,     It is a mother's memory of a grave,     When God hath taken her whom heaven gave.         Sorrow:     Farewell! I go to crown the dead;      Yet ye have crowned yourselves to-day,     For they whose hearts so faithful love      The lonely grave -- the very clay;     They crown themselves with richer gems     Than flash in royal diadems.

Share & Analyze This Poem

Spread the beauty of poetry or dive deeper into analysis

Analyze This Poem

Discover the literary devices, structure, and deeper meaning

Copy to Clipboard

Save this poem for personal use or sharing offline


Share the Love of Poetry

Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a poignant exploration of the themes of mortality, sorrow, and the enduring vitality of love. It employs the metaphor of flowers and natural elements, a common motif in the Romantic tradition, as symbolic representations of life, death, and emotional states. The poem is elegiac in tone, expressing a deep sorrow and a loving tribute to a deceased figure referred to as Claudia.

The poem is structured in a series of vignettes, each focusing on a different flower or natural element. This structure lends an episodic quality to the poem, allowing the poet to explore different aspects of grief, memory, and love in each segment. The use of personification is a prominent literary device, particularly in the character of Sorrow, who introduces and concludes the poem. The sorrowful tone is balanced with moments of tenderness and beauty, particularly in the references to the purity and innocence of the deceased.

The poem suggests that although life is fleeting and loss is inevitable, love endures beyond the grave. This is illustrated through the recurring motif of garlands, which symbolize the lasting affection and memory of the deceased. The poem concludes with a powerful image of love's resilience, suggesting that those who love deeply and mourn sincerely adorn themselves with 'richer gems' than any physical crown.

Overall, this poem is a rich, emotionally complex exploration of life, death, and the enduring power of love, skillfully communicated through beautiful imagery and poignant sentiment.

Understanding Elegy

An elegy is a form of poetry that expresses sorrow or lamentation, often for someone who has died. This type of poetry serves as a tribute to the deceased, reflecting on their life and the grief left behind.


Elegies are deeply emotional and personal, exploring themes of loss, mourning, and remembrance. Here are some defining characteristics:

  • Mournful Tone: Elegies are characterized by a tone of sadness and reflection, as the poet grapples with the pain of loss.
  • Tribute to the Deceased: The subject of an elegy is often someone who has passed away, with the poem serving as a memorial that honors their life and legacy.
  • Personal Reflection: Elegies often include personal reflections on the impact of the deceased on the poet's life, as well as broader musings on mortality and the human condition.
  • Structure and Form: While elegies can vary in form, they often follow a traditional structure that includes an expression of grief, praise for the deceased, and a sense of consolation or acceptance.

From ancient times to the present, elegies have provided a way for poets to navigate the complexities of grief and loss, offering solace and a means of preserving the memory of those who have passed.