A Better Answer

By Matthew Prior

Dear Cloe, how blubber'd is that pretty Face? Thy Cheek all on Fire, and Thy Hair all uncurl'd: Pr'ythee quit this Caprice; and (as old Falstaf says) Let Us e'en talk a little like Folks of This World. How can'st Thou presume, Thou hast leave to destroy The Beauties, which Venus but lent to Thy keeping? Those Looks were design'd to inspire Love and Joy: More ord'nary Eyes may serve People for weeping. To be vext at a Trifle or two that I writ, Your Judgment at once, and my Passion You wrong: You take that for Fact, which will scarce be found Wit: Odd's Life! must One swear to the Truth of a Song? What I speak, my fair Cloe, and what I write, shews The Diff'rence there is betwixt Nature and Art: I court others in Verse; but I love Thee in Prose: And They have my Whimsies; but Thou hast my Heart. The God of us Verse-men (You know Child) the Sun, How after his Journeys He sets up his Rest: If at Morning o'er Earth 'tis his Fancy to run; At Night he reclines on his Thetis's Breast. So when I am weary'd with wand'ring all Day; To Thee my Delight in the Evening I come: No Matter what Beauties I saw in my Way: They were but my Visits; but Thou art my Home. Then finish, Dear Cloe, this Pastoral War; And let us like Horace and Lydia agree: For Thou art a Girl as much brighter than Her, As He was a Poet sublimer than Me.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is an intriguing blend of playful banter, devotion, and self-deprecating humor. The speaker addresses "Cloe", a woman he clearly has deep affection for. The text's tone is light and candid, tinged with gentle remonstration as he advises her not to take his poetic words too seriously. This speaks to themes of love, art, and the discrepancy between reality and representation.

His plea to Cloe is structured in rhymed couplets, a popular form in English poetry that lends a rhythmic, conversational flow. The speaker's self-deprecation creates a humble, endearing character who uses wit to win Cloe's favor. He contrasts his poetic flirtations with other women ("I court others in Verse") to his genuine love for Cloe ("but I love Thee in Prose"), a clever use of metaphor to emphasize the authenticity of his feelings for her.

The poet also employs classical allusions, referencing the sun god and Thetis in a metaphor for his own wanderings and return to Cloe. This subtly elevates their relationship to the realm of the divine. Finally, the poem's conclusion, a plea for peace drawn from the relationship of Horace and Lydia, underscores his desire for harmony and understanding. The speaker cleverly positions himself as less sublime than Horace and Cloe brighter than Lydia, once again using self-deprecation to emphasize his admiration for her.

Exploring Lyric Poetry

Lyric poetry is a powerful and intimate form of expression, characterized by its focus on the personal emotions and thoughts of the poet. Often musical in nature, lyric poems resonate with readers through their vivid language and rhythmic flow, capturing moments of intense feeling.


Here are some key characteristics that define lyric poetry:

  • Expressive Language: Lyric poems use rich and evocative language to convey deep emotions, often painting a vivid picture of the poet's inner world.
  • Personal Perspective: Typically written in the first person, these poems offer a window into the poet's personal experiences, thoughts, and reflections.
  • Musicality: Lyric poems often feature a rhythmic structure, with meter and rhyme that give them a song-like quality, enhancing the emotional impact.

From ancient odes to contemporary free verse, lyric poetry remains a beloved and enduring form, celebrated for its ability to articulate the nuances of human emotion in a way that resonates deeply with readers.