Why This Volume Is So Thin.

By Arthur Thomas Quiller-Couch

     In youth I dreamed, as other youths have dreamt,          Of love, and thrummed an amateur guitar      To verses of my own,--a stout attempt          To hold communion with the Evening Star      I wrote a sonnet, rhymed it, made it scan.      Ah me! how trippingly those last lines ran.--      O Hesperus!    O happy star! to bend          O'er Helen's bosom in the tranced west,      To match the hours heave by upon her breast,          And at her parted lip for dreams attend--      If dawn defraud thee, how shall I be deemed,      Who house within that bosom, and am dreamed?      For weeks I thought these lines remarkable;          For weeks I put on airs and called myself      A bard: till on a day, as it befell,          I took a small green Moxon from the shelf      At random, opened at a casual place,      And found my young illusions face to face      With this:--'Still steadfast, still unchangeable,          Pillow'd upon my fair Love's ripening breast      To feel for ever its soft fall and swell,          Awake for ever in a sweet unrest;      Still, still to hear her tender-taken breath,      And so live ever,--or else swoon to death.'      O gulf not to be crossed by taking thought!          O heights by toil not to be overcome!      Great Keats, unto your altar straight I brought          My speech, and from the shrine departed dumb.     --And yet sometimes I think you played it hard      Upon a rather hopeful minor bard.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
The speaker reflects on the disillusionment of youthful artistic ambition, contrasting their own fledgling attempts with the mastery of Keats. The poem’s single stanza unfolds as a confessional narrative, moving from the speaker’s initial creative fervor to their crushing encounter with Keats’s superior artistry. The speaker’s early work, though earnest, is exposed as derivative when juxtaposed with Keats’s Ode to a Nightingale, revealing the gulf between youthful aspiration and true poetic achievement. The speaker’s self-deprecating humor acknowledging their minor bard status softens the sting of this realization, yet the poem’s closing lines suggest lingering resentment toward Keats’s overwhelming genius. The speaker’s introspection reveals a universal tension between artistic ambition and the humbling weight of influence, concluding with the poignant observation that greatness, once glimpsed, can both inspire and diminish.

Understanding the Sonnet

The sonnet is one of the most enduring and celebrated forms of poetry, known for its strict structure and profound themes. With a history spanning centuries, sonnets have been used to explore love, beauty, politics, and mortality, all within the confines of just 14 lines.


Sonnets are characterized by their precise form and rhyme scheme, which vary depending on the type of sonnet. Here’s a closer look:

  • Shakespearean (English) Sonnet: Composed of three quatrains followed by a final couplet, with a rhyme scheme of ABABCDCDEFEFGG. This form often builds a complex argument or narrative, culminating in a powerful closing statement.
  • Petrarchan (Italian) Sonnet: Divided into an octave (eight lines) and a sestet (six lines), with a typical rhyme scheme of ABBAABBA for the octave, followed by various patterns in the sestet such as CDECDE or CDCDCD. The octave usually presents a problem, with the sestet providing a resolution.
  • Meter: Sonnets are traditionally written in iambic pentameter, which gives the poem a rhythmic and melodic quality that enhances its emotional impact.

The sonnet’s enduring appeal lies in its ability to condense complex emotions and ideas into a small but potent package, making it a favorite form for poets seeking to explore profound themes with precision and elegance.