Wrinkles

By Walter Savage Landor

When Helen first saw wrinkles in her face (’T was when some fifty long had settled there And intermarried and branch’d off awide) She threw herself upon her couch and wept: On this side hung her head, and over that                 Listlessly she let fall the faithless brass That made the men as faithless. But when you Found them, or fancied them, and would not hear That they were only vestiges of smiles,                 Or the impression of some amorous hair Astray from cloister’d curls and roseate band, Which had been lying there all night perhaps Upon a skin so soft, “No, no,” you said, “Sure, they are coming, yes, are come, are here:                 Well, and what matters it, while thou art too!”

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a poignant exploration of the human experience of aging, employing the well-trodden literary figure of Helen to present a universal theme. The choice of Helen, a character traditionally associated with beauty and desire, underscores the dramatic shift the poem attempts to portray - the transition from youthful allure to the inevitably of age.

The poem's tone is melancholic yet bittersweet. It resonates with a sense of acceptance and resignation. The poet uses a detached, third-person perspective to describe Helen's despair at her aging visage. This perspective creates a certain emotional distance, allowing the reader to view Helen's plight with a degree of objectivity. Yet, the narrative voice becomes more intimate and empathetic towards the end, suggesting a deeper understanding of the character's emotional turmoil.

The structure supports this narrative arc, beginning with a vivid description of Helen's despair and moving towards acceptance. Notably, the poem uses various literary devices to enhance its theme. The "faithless brass" serves as a metaphor for the mirror, which reflects Helen's changing physicality. It is described as "faithless", suggesting the mirror's betrayal of Helen's youth. The poem also employs personification by referring to the wrinkles as having "intermarried and branch'd off awide". This creates a powerful image of age spreading across Helen's face, reinforcing the theme of time's inexorable passage.

In conclusion, this poem is a poignant exploration of aging. Through its use of character, tone, structure, and literary devices, it presents a portrait of beauty's fleeting nature and the bittersweet acceptance of life's impermanence.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.