A Cry From An Indian Wife

By Emily Pauline Johnson

    My forest brave, my Red-skin love, farewell;     We may not meet to-morrow; who can tell     What mighty ills befall our little band,     Or what you'll suffer from the white man's hand?     Here is your knife! I thought 'twas sheathed for aye.     No roaming bison calls for it to-day;     No hide of prairie cattle will it maim;     The plains are bare, it seeks a nobler game:     'Twill drink the life-blood of a soldier host.     Go; rise and strike, no matter what the cost.     Yet stay. Revolt not at the Union Jack,     Nor raise Thy hand against this stripling pack     Of white-faced warriors, marching West to quell     Our fallen tribe that rises to rebel.     They all are young and beautiful and good;     Curse to the war that drinks their harmless blood.     Curse to the fate that brought them from the East     To be our chiefs - to make our nation least     That breathes the air of this vast continent.     Still their new rule and council is well meant.     They but forget we Indians owned the land     From ocean unto ocean; that they stand     Upon a soil that centuries agone     Was our sole kingdom and our right alone.     They never think how they would feel to-day,     If some great nation came from far away,     Wresting their country from their hapless braves,     Giving what they gave us - but wars and graves.     Then go and strike for liberty and life,     And bring back honour to your Indian wife.     Your wife? Ah, what of that, who cares for me?     Who pities my poor love and agony?     What white-robed priest prays for your safety here,     As prayer is said for every volunteer     That swells the ranks that Canada sends out?     Who prays for vict'ry for the Indian scout?     Who prays for our poor nation lying low?     None - therefore take your tomahawk and go.     My heart may break and burn into its core,     But I am strong to bid you go to war.     Yet stay, my heart is not the only one     That grieves the loss of husband and of son;     Think of the mothers o'er the inland seas;     Think of the pale-faced maiden on her knees;     One pleads her God to guard some sweet-faced child     That marches on toward the North-West wild.     The other prays to shield her love from harm,     To strengthen his young, proud uplifted arm.     Ah, how her white face quivers thus to think,     Your tomahawk his life's best blood will drink.     She never thinks of my wild aching breast,     Nor prays for your dark face and eagle crest     Endangered by a thousand rifle balls,     My heart the target if my warrior falls.     O! coward self I hesitate no more;     Go forth, and win the glories of the war.     Go forth, nor bend to greed of white men's hands,     By right, by birth we Indians own these lands,     Though starved, crushed, plundered, lies our nation low...     Perhaps the white man's God has willed it so.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a passionate plea for Indian resistance against the encroaching forces of white American expansion. The speaker's voice is urgent and anguished, as they lament the loss of their loved ones, their land, and their way of life. The poem's form and structure are characterized by a loose, naturalistic meter and lineation, which serves to convey the speaker's emotional intensity and sense of urgency. The use of rhyme is minimal, adding to the poem's sense of disjointedness and chaos. A significant tonal shift occurs in the poem's final stanzas, as the speaker's emotions give way to a cold, calculating resolve. The speaker's heart may break and burn into its core, but they are driven to action by a sense of duty and a determination to resist the encroaching forces of white supremacy. The final line, Perhaps the white man's God has willed it so, is a stark and unsettling conclusion, one that underscores the poem's themes of resistance, oppression, and the dehumanizing effects of colonialism.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.