A Cottage In A Chine.

By Jean Ingelow

    We reached the place by night,     And heard the waves breaking:     They came to meet us with candles alight     To show the path we were taking.     A myrtle, trained on the gate, was white     With tufted flowers down shaking.     With head beneath her wing,     A little wren was sleeping -     So near, I had found it an easy thing     To steal her for my keeping     From the myrtle-bough that with easy swing     Across the path was sweeping.     Down rocky steps rough-hewed,     Where cup-mosses flowered,     And under the trees, all twisted and rude,     Wherewith the dell was dowered,     They led us, where deep in its solitude     Lay the cottage, leaf-embowered.     The thatch was all bespread     With climbing passion-flowers;     They were wet, and glistened with raindrops, shed     That day in genial showers.     "Was never a sweeter nest," we said,     "Than this little nest of ours."     We laid us down to sleep:     But as for me - waking,     I marked the plunge of the muffled deep     On its sandy reaches breaking;     For heart-joyance doth sometimes keep     From slumber, like heart-aching.     And I was glad that night,     With no reason ready,     To give my own heart for its deep delight,     That flowed like some tidal eddy,     Or shone like a star that was rising bright     With comforting radiance steady.     But on a sudden - hark!     Music struck asunder     Those meshes of bliss, and I wept in the dark,     So sweet was the unseen wonder;     So swiftly it touched, as if struck at a mark,     The trouble that joy kept under.     I rose - the moon outshone:     I saw the sea heaving,     And a little vessel sailing alone,     The small crisp wavelet cleaving;     'Twas she as she sailed to her port unknown -     Was that track of sweetness leaving.     We know they music made     In heaven, ere man's creation;     But when God threw it down to us that strayed     It dropt with lamentation,     And ever since doth its sweetness shade     With sighs for its first station.     Its joy suggests regret -     Its most for more is yearning;     And it brings to the soul that its voice hath met,     No rest that cadence learning,     But a conscious part in the sighs that fret     Its nature for returning.     O Eve, sweet Eve! methought     When sometimes comfort winning,     As she watched the first children's tender sport,     Sole joy born since her sinning,     If a bird anear them sang, it brought     The pang as at beginning.     While swam the unshed tear,     Her prattlers little heeding,     Would murmur, "This bird, with its carol clear.     When the red clay was kneaden,     And God made Adam our father dear,     Sang to him thus in Eden."     The moon went in - the sky     And earth and sea hiding,     I laid me down, with the yearning sigh     Of that strain in my heart abiding;     I slept, and the barque that had sailed so nigh     In my dream was ever gliding.     I slept, but waked amazed,     With sudden noise frighted,     And voices without, and a flash that dazed     My eyes from candles lighted.     "Ah! surely," methought, "by these shouts upraised     Some travellers are benighted."     A voice was at my side -     "Waken, madam, waken!     The long prayed-for ship at her anchor doth ride.     Let the child from its rest be taken,     For the captain doth weary for babe and for bride -     Waken, madam, waken!     "The home you left but late,     He speeds to it light-hearted;     By the wires he sent this news, and straight     To you with it they started."     O joy for a yearning heart too great,     O union for the parted!     We rose up in the night,     The morning star was shining;     We carried the child in its slumber light     Out by the myrtles twining:     Orion over the sea hung bright,     And glorious in declining.     Mother, to meet her son,     Smiled first, then wept the rather;     And wife, to bind up those links undone,     And cherished words to gather,     And to show the face of her little one,     That had never seen its father.     That cottage in a chine     We were not to behold it;     But there may the purest of sunbeams shine,     May freshest flowers enfold it,     For sake of the news which our hearts must twine     With the bower where we were told it!     Now oft, left lone again,     Sit mother and sit daughter,     And bless the good ship that sailed over the main,     And the favoring winds that brought her;     While still some new beauty they fable and feign     For the cottage by the water.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This 120-line narrative poem tracks a journey of joy and longing, structured as a monologue that unfolds through vivid sensory details and emotional shifts. The speaker begins with a tranquil arrival by night, where natural imagery myrtle flowers, a sleeping wren, and the cottage leaf-embowered creates a pastoral idyll. The poem’s rhythmic, rhyming couplets (primarily iambic pentameter) lend a musical cadence, reinforcing the themes of harmony and disruption. A volte occurs midway, as the speaker’s blissful reverie is shattered by mysterious music, which evokes both ecstasy and sorrow. This tonal shift introduces a meditation on music as a bittersweet reminder of lost paradise, echoing biblical allusions to Eden. The poem resolves with the joyful reunion of a family, yet the final stanza returns to the cottage, now imbued with nostalgic significance. The speaker’s lingering attachment to the place underscores how fleeting moments of peace leave indelible marks on memory. The poem’s most striking effect lies in its ability to render fleeting emotions as tangible as the landscapes it describes.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.