Finland

By Robert von Ranke Graves

    Feet and faces tingle     In that frore land:     Legs wobble and go wingle,     You scarce can stand.     The skies are jewelled all around,     The ploughshare snaps in the iron ground,     The Finn with face like paper     And eyes like a lighted taper     Hurls his rough rune     At the wintry moon     And stamps to mark the tune.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a vivid and dreamlike portrayal of a harsh, wintry landscape, where the boundaries between human and natural worlds are blurred. The use of a loose, irregular meter and lineation, with varying line lengths and stanza structure, creates a sense of disorientation and fragmentation, mirroring the speaker's experience of the frozen land. The voice is first-person, but the speaker's identity is obscured by the use of pronouns like you and he, which adds to the sense of ambiguity and mystery. The imagery is rich and evocative, with descriptions of feet and faces tingle, legs wobble, and eyes like a lighted taper, which conjure up a sense of numbness and eeriness. The poem's structural turn, where the speaker shifts from describing the physical effects of the cold to the actions of a figure in the landscape, adds a sense of tension and drama. The introduction of the Finn, with his face like paper and eyes like a lighted taper, marks a turning point in the poem, and his actions of hurling a rune at the moon and stamping to mark the tune create a sense of ritual and mysticism. The final image of the moon, hurl[ed] at by the Finn, is a striking one, suggesting a violent and almost primal connection between the natural and human worlds.

Understanding Limerick

A limerick is a five-line poem known for its jaunty rhythm, playful tone, and a punchline twist. It’s built for humor—often sly, sometimes downright silly.


Common characteristics of limericks:

  • Five Lines & Rhyme: The standard scheme is AABBA—the first, second, and fifth lines rhyme; the shorter third and fourth lines rhyme with each other.
  • Bouncy Meter: Typically anapestic (two short, one long beat). Lines 1, 2, and 5 are longer; lines 3 and 4 are shorter.
  • Tone & Humor: Lighthearted, mischievous, and built around a final gag or reversal.
  • Subject & Setup: Often starts with “There once was a … from …,” setting place and character before the comic turn.
  • Sound Play: Internal rhyme, alliteration, and rhythmic snap heighten the joke’s delivery.

The best limericks land like a good toast: quick, musical, and clinched by a memorable last line.