A Chapter Of Froissart.

By Henry Austin Dobson

(Grandpapa Loquitur.)     You don't know Froissart now, young folks.     This age, I think, prefers recitals     Of high-spiced crime, with "slang" for jokes,     And startling titles;     But, in my time, when still some few     Loved "old Montaigne," and praised Pope's Homer     (Nay, thought to style him "poet" too,     Were scarce misnomer),     Sir John was less ignored. Indeed,     I can re-call how Some-one present     (Who spoils her grandson, Frank!) would read     And find him pleasant;     For,--by this copy,--hangs a Tale.     Long since, in an old house in Surrey,     Where men knew more of "morning ale"     Than "Lindley Murray,"     In a dim-lighted, whip-hung hall,     'Neath Hogarth's "Midnight Conversation,"     It stood; and oft 'twixt spring and fall,     With fond elation,     I turned the brown old leaves. For there     All through one hopeful happy summer,     At such a page (I well knew where),     Some secret comer,     Whom I can picture, 'Trix, like you     (Though scarcely such a colt unbroken),     Would sometimes place for private view     A certain token;--     A rose-leaf meaning "Garden Wall,"     An ivy-leaf for "Orchard corner,"     A thorn to say "Don't come at all,"--     Unwelcome warner!--     Not that, in truth, our friends gainsaid;     But then Romance required dissembling,     (Ann Radcliffe taught us that!) which bred     Some genuine trembling;     Though, as a rule, all used to end     In such kind confidential parley     As may to you kind Fortune send,     You long-legged Charlie,     When your time comes. How years slip on!     We had our crosses like our betters;     Fate sometimes looked askance upon     Those floral letters;     And once, for three long days disdained,     The dust upon the folio settled;     For some-one, in the right, was pained,     And some-one nettled,     That sure was in the wrong, but spake     Of fixed intent and purpose stony     To serve King George, enlist and make     Minced-meat of "Boney,"     Who yet survived--ten years at least.     And so, when she I mean came hither,     One day that need for letters ceased,     She brought this with her!     Here is the leaf-stained Chapter:--How     The English King laid Siege to Calais;     I think Gran. knows it even now,--     Go ask her, Alice.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem, written in a conversational tone, is a nostalgic and humorous exploration of the past, as its speaker reminisces about reading and discussing classic literature with younger generations. The poem's structure, with its irregular meter and varying line lengths, adds to its conversational feel, while the use of colloquial expressions and slang (slang for jokes, long-legged Charlie) creates a sense of intimacy and informality. The speaker's voice is that of a wise elder, who has witnessed the shift in literary tastes and values over the years, and is fondly recalling the past, when classical authors like Montaigne and Pope were widely admired. A notable turn in the poem occurs when the speaker shifts from discussing literature to discussing historical events, specifically the English King's Siege of Calais, which is presented as a family heirloom passed down through generations. This structural shift, accompanied by the introduction of a new character, Alice, marks a tonal shift from the poem's earlier lightheartedness to a more serious and nostalgic tone, underscoring the idea that even the most seemingly trivial objects can hold deep historical significance.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.