L'Envoi.

By Edwin C. Ranck

     I'm the ghost of that poor gobbler         Who used to be so great,      They took my poor, neglected bones         And piled them on a plate.      Reader, shed a kindly tear         For my unhappy fate.      This is the common lot of all         Upon the world's great chart;      We've got to leave a pile of bones--         The stupid and the smart.      Even when Napoleon died         He left a Bonaparte.      We are merely puppets         Moving on a string,      And when we think that we are IT,         The axe will fall--"Gezing!"      O, Grave, where is thy victory?         O, Death, where is thy sting?

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem, written in free verse with irregular lineation and no discernible rhyme or meter, presents a scathing critique of mortality and the transience of human achievement. The voice is that of a deceased individual, specifically a turkey, who laments its own demise and that of countless others, underscoring the universal fate of being reduced to nothing more than a pile of bones. The stark, matter-of-fact tone, juxtaposed with the formal, almost ritualistic language, serves to heighten the sense of irony and injustice. A structural turn occurs with the introduction of the final stanza, where the voice shifts from a personal lament to a more philosophical and existential one, questioning the nature of power and mortality. The use of onomatopoeic language, such as Gezing! and the rhetorical question O, Grave, where is thy victory? adds to the sense of shock and defiance, underscoring the speaker's assertion that even death itself is not invincible. The final line, O, Death, where is thy sting? is a particularly striking example of this, as it implies that death's supposed power is ultimately a hollow one.

Understanding Limerick

A limerick is a five-line poem known for its jaunty rhythm, playful tone, and a punchline twist. It’s built for humor—often sly, sometimes downright silly.


Common characteristics of limericks:

  • Five Lines & Rhyme: The standard scheme is AABBA—the first, second, and fifth lines rhyme; the shorter third and fourth lines rhyme with each other.
  • Bouncy Meter: Typically anapestic (two short, one long beat). Lines 1, 2, and 5 are longer; lines 3 and 4 are shorter.
  • Tone & Humor: Lighthearted, mischievous, and built around a final gag or reversal.
  • Subject & Setup: Often starts with “There once was a … from …,” setting place and character before the comic turn.
  • Sound Play: Internal rhyme, alliteration, and rhythmic snap heighten the joke’s delivery.

The best limericks land like a good toast: quick, musical, and clinched by a memorable last line.