A Wonderful Feat.

By Edwin C. Ranck

     I never walk along the street         Because I haven't any feet;      Nor is this strange when I repeat         That I am but a garden beet.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
The speaker's tone is one of wistful detachment, conveyed through the use of understatement and wordplay. The opening lines, "I never walk along the street / Because I haven't any feet," establish a sense of melancholic isolation, while the repetition of the phrase "I am but a garden beet" underscores the speaker's feelings of disconnection and diminishment. The image of the garden beet, a humble and unassuming vegetable, serves as a potent metaphor for the speaker's own sense of fragility and powerlessness.

The poem's use of enjambment and caesura creates a sense of hesitant, stuttering speech, mirroring the speaker's feelings of uncertainty and self-doubt. The short, choppy lines also contribute to a sense of disjointedness, underscoring the speaker's disconnection from the world around them. The poem's philosophical movement is one of quiet, introspective despair, as the speaker grapples with the limitations and vulnerabilities of their own existence. Through its simple, direct language, the poem conveys a profound sense of vulnerability and the human condition.

Understanding Limerick

A limerick is a five-line poem known for its jaunty rhythm, playful tone, and a punchline twist. It’s built for humor—often sly, sometimes downright silly.


Common characteristics of limericks:

  • Five Lines & Rhyme: The standard scheme is AABBA—the first, second, and fifth lines rhyme; the shorter third and fourth lines rhyme with each other.
  • Bouncy Meter: Typically anapestic (two short, one long beat). Lines 1, 2, and 5 are longer; lines 3 and 4 are shorter.
  • Tone & Humor: Lighthearted, mischievous, and built around a final gag or reversal.
  • Subject & Setup: Often starts with “There once was a … from …,” setting place and character before the comic turn.
  • Sound Play: Internal rhyme, alliteration, and rhythmic snap heighten the joke’s delivery.

The best limericks land like a good toast: quick, musical, and clinched by a memorable last line.