Wortermelon Time

By James Whitcomb Riley

    Old wortermelon time is a-comin' round again,         And they ain't no man a-livin' any tickleder'n me,     Fer the way I hanker after wortermelons is a sin -         Which is the why and wharefore, as you can plainly see.     Oh! it's in the sandy soil wortermelons does the best,         And it's thare they'll lay and waller in the sunshine and the dew     Tel they wear all the green streaks clean off of theyr breast;      And you bet I ain't a-findin' any fault with them; ain't you?     They ain't no better thing in the vegetable line;      And they don't need much 'tendin', as ev'ry farmer knows;     And when theyr ripe and ready fer to pluck from the vine,      I want to say to you theyr the best fruit that grows.     It's some likes the yeller-core, and some likes the red.      And it's some says "The Little Californy" is the best;     But the sweetest slice of all I ever wedged in my head,      Is the old "Edingburg Mounting-sprout," of the west     You don't want no punkins nigh your wortermelon vines -      'Cause, some-way-another, they'll spile your melons, shore; -     I've seed 'em taste like punkins, from the core to the rines,         Which may be a fact you have heerd of before     But your melons that's raised right and 'tended to with care,      You can walk around amongst 'em with a parent's pride and joy,     And thump 'em on the heads with as fatherly a air      As ef each one of them was your little girl er boy.     I joy in my hart jest to hear that rippin' sound      When you split one down the back and jolt the halves in two,     And the friends you love the best is gethered all around -      And you says unto your sweethart, "Oh, here's the core fer you!"     And I like to slice 'em up in big pieces fer 'em all,      Espeshally the childern, and watch theyr high delight     As one by one the rines with theyr pink notches falls,      And they holler fer some more, with unquenched appetite.     Boys takes to it natchurl, and I like to see 'em eat -      A slice of wortermelon's like a frenchharp in theyr hands,     And when they "saw" it through theyr mouth sich music can't be beat -      'Cause it's music both the sperit and the stummick understands.     Oh, they's more in wortermelons than the purty-colored meat,      And the overflowin' sweetness of the worter squshed betwixt     The up'ard and the down'ard motions of a feller's teeth,      And it's the taste of ripe old age and juicy childhood mixed.     Fer I never taste a melon but my thoughts flies away      To the summertime of youth; and again I see the dawn,     And the fadin' afternoon of the long summer day,      And the dusk and dew a-fallin', and the night a-comin' on.     And thare's the corn around us, and the lispin' leaves and trees,     And the stars a-peekin' down on us as still as silver mice,     And us boys in the wortermelons on our hands and knees,      And the new-moon hangin' ore us like a yeller-cored slice.     Oh! it's wortermelon time is a-comin' round again,      And they ain't no man a-livin' any tickleder'n me,     Fer the way I hanker after wortermelons is a sin -      Which is the why and wharefore, as you can plainly see.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
James Whitcomb Riley’s The Wortermelon is a folksy, first-person celebration of watermelon, blending colloquial dialect with nostalgic reverie. The poem’s loose, conversational structure unrhymed and unmetered mimics the speaker’s meandering enthusiasm, while its single stanza sprawls like a summer vine. The speaker’s affection for watermelons transcends mere taste, becoming a metaphor for childhood joy and communal bonds. The fruit’s ripening, thumping, and sharing evoke sensory memories of youth, tying the act of eating to a cyclical, almost ritualistic experience. The poem’s humor and warmth lie in its unapologetic simplicity, turning an everyday pleasure into a meditation on time, memory, and the fleeting sweetness of life. The closing repetition underscores the cyclical nature of desire and nostalgia, leaving the reader with a lingering taste of summer’s ephemeral magic.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.