A Fit Of Rhyme Against Rhyme

By Ben Jonson

Rhyme, the rack of finest wits, That expresseth but by fits True conceit, Spoiling senses of their treasure, Cozening judgment with a measure, But false weight; Wresting words from their true calling, Propping verse for fear of falling To the ground; Jointing syllabes, drowning letters, Fast'ning vowels as with fetters They were bound! Soon as lazy thou wert known, All good poetry hence was flown, And art banish'd. For a thousand years together All Parnassus' green did wither, And wit vanish'd. Pegasus did fly away, At the wells no Muse did stay, But bewail'd So to see the fountain dry, And Apollo's music die, All light failed! Starveling rhymes did fill the stage; Not a poet in an age Worth crowning; Not a work deserving bays, Not a line deserving praise, Pallas frowning; Greek was free from rhyme's infection, Happy Greek by this protection Was not spoiled. Whilst the Latin, queen of tongues, Is not yet free from rhyme's wrongs, But rests foiled. Scarce the hill again doth flourish, Scarce the world a wit doth nourish To restore Phbus to his crown again, And the Muses to their brain, As before. Vulgar languages that want Words and sweetness, and be scant Of true measure, Tyrant rhyme hath so abused, That they long since have refused Other csure. He that first invented thee, May his joints tormented be, Cramp'd forever. Still may syllabes jar with time, Still may reason war with rhyme, Resting never. May his sense when it would meet The cold tumor in his feet, Grow unsounder; And his title be long fool, That in rearing such a school Was the founder.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem offers a profound critique of the constraints that rhyme imposes on poetry, suggesting that it impedes genuine creativity and true expression of thought. The speaker portrays rhyme as a tyrant, binding words and syllables as if they were prisoners, thereby stifling the free flow of ideas. The tone is markedly resentful, perhaps indicative of the poet's own struggle against the limitations of form and structure.

The poem is a lament for the perceived decline of poetry's artistry due to the overreliance on rhyme. It is rich with classical allusions, referencing Pegasus, Apollo, and the Muses, symbols of poetic inspiration that have allegedly abandoned their posts due to the tyranny of rhyme. The speaker expresses longing for the restoration of the true poetic spirit, free from the chains of rhyme. This longing creates a melancholic tone that heightens the poem's critique of formal poetic structure.

The poem's structure, ironically, adheres to the strictures of rhyme it criticizes, perhaps suggesting that the poet is bound by the same constraints he criticizes. This tension between form and content enhances the poem's thematic exploration of the struggle between creativity and convention. The use of personification, metaphor, and allegory significantly contributes to presenting the critique in a vivid and compelling manner. Despite its criticism of rhyme, the poem manages to achieve a fine balance of form and content, proving that even within the constraints of rhyme, poetic creativity can flourish.