An Impetuous Resolve

By James Whitcomb Riley

    When little Dickie Swope's a man,      He's go' to be a Sailor;     An' little Hamey Tincher, he's      A-go' to be a Tailor:     Bud Mitchell, he's a-go' to be      A stylish Carriage-Maker;     An' when I grow a grea'-big man,      I'm go' to be a Baker!     An' Dick'll buy his sailor-suit      O' Hame; and Hame'll take it     An' buy as fine a double-rigg      As ever Bud can make it:     An' nen all three'll drive roun' fer me      An' we'll drive off togevver,     A-slingin' pie-crust 'long the road      Ferever an' ferever!

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a playful and lighthearted exploration of the speaker's childhood aspirations and the potential consequences of those desires. The poem's structure, with its consistent rhyme scheme and meter, adds to its sense of innocence and naivety. The use of short, punchy lines and simple language creates a sense of urgency and excitement, underscoring the speaker's enthusiasm for their future careers. The speaker's voice is childlike and optimistic, with a tendency to anthropomorphize their future selves and the people they will interact with. A structural turn occurs in the final stanza, where the speaker's aspirations are juxtaposed with the reality of their future relationships. The speaker's desire for a sailor-suit from Hamey Tincher, a double-rigg from Bud Mitchell, and a pie-crust-making partnership with Dickie Swope takes on a new significance in the context of their adult lives. This shift in focus highlights the speaker's growing awareness of the complexities and dependencies that will accompany their adulthood, adding a layer of nuance to the poem's otherwise carefree tone.

Understanding Limerick

A limerick is a five-line poem known for its jaunty rhythm, playful tone, and a punchline twist. It’s built for humor—often sly, sometimes downright silly.


Common characteristics of limericks:

  • Five Lines & Rhyme: The standard scheme is AABBA—the first, second, and fifth lines rhyme; the shorter third and fourth lines rhyme with each other.
  • Bouncy Meter: Typically anapestic (two short, one long beat). Lines 1, 2, and 5 are longer; lines 3 and 4 are shorter.
  • Tone & Humor: Lighthearted, mischievous, and built around a final gag or reversal.
  • Subject & Setup: Often starts with “There once was a … from …,” setting place and character before the comic turn.
  • Sound Play: Internal rhyme, alliteration, and rhythmic snap heighten the joke’s delivery.

The best limericks land like a good toast: quick, musical, and clinched by a memorable last line.