To The True-Born Briton

By Thomas William Hodgson Crosland

        (After Peace Night)         Dear Sir, or Madam,         As the case may be,         When Britain first,         At Heaving's command,         Arose from out         The azure main,         This was the chawter         Of that land         And gawdian a-a-a-a-angels         Sang this strain:         Don't you think so?         For my own part,         I am quite sure of it:         Monday night convinced me.         Mafeking night,         As you may remember,         Was a honeyed         And beautiful affair.         But         Peace night,         I think,         Really outdid it in splendours.         At the cafe         Which I most frequent,         All was Peace.         Round the table next mine,         There were seventeen Jews,         With a Union Jack.         Ever and anon         (Between drinks, as it were),         They held up         That Union Jack         And yelled:             "Shend him victoriouth,             'Appy and gloriouth,             Long to-o reign over uth,             &c., &c."         I wonder, my dear Sir, or Madam,         Why the Jews are so pleased:         I can't make it out.         Howsomever,         Pleased they are,         And a pleased Jew         Is worth a king's ransom,         Or words to that effect.         Peace, my dear Sir, or Madam,         Is a chaste and choice         Thing.         Outside the aforesaid cafe,         The crowd         Was so numerous         And exuberant         That I was compelled         (Much to my annoyance, of course)         To remain inside         Till closing-time.         Then I went home         In the friendly embrace         Of a four-wheeler.         For a little while,         There was much shouting and yelling and roaring and squeaking and singing;         And then I knew         No more.         My cab         Bowled away         Through the sweet evening air         (That is to say,         If the common or Regent Street growler         Ever does bowl away),         And all the time         I snored.         Duly awakened         Outside my bungalow,         I raked up the fare,         And, in reply to kind enquiries         In the hall,         I remarked:         "Peace, O woman of mine,         Peace!"

Share & Analyze This Poem

Spread the beauty of poetry or dive deeper into analysis

Analyze This Poem

Discover the literary devices, structure, and deeper meaning

Create Image

Transform this poem into a beautiful shareable image

Copy to Clipboard

Save this poem for personal use or sharing offline


Share the Love of Poetry

Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem satirically reimagines a traditional patriotic ode to Britain, replacing the usual heroic language with a more mundane and humorous account of a peaceful evening out. The poem's structure, with its irregular meter and short, fragmented lines, mirrors the disjointed and everyday nature of the narrator's experience. The use of a conversational voice, with phrases like Dear Sir, or Madam and For my own part, adds to the poem's lighthearted and ironic tone. The narrator's observations of the crowd's enthusiasm and the Jews' celebration of peace are also noteworthy, as they highlight the speaker's own apathy and disillusionment with the idea of peace. A notable structural turn occurs when the poem shifts from the narrator's observations of the crowd to the more intimate and domestic scene of the narrator's return home, where they are awakened by the sound of a cab and fall asleep. This tonal shift underscores the speaker's exhaustion and disconnection from the world around them, and serves to underscore the poem's themes of peace and disillusionment. The final line, Peace, O woman of mine, Peace! is a wry commentary on the idea of peace as a state of mind, rather than a state of being.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.