To The Right Honourable Joseph Chamberlain

By Thomas William Hodgson Crosland

        (Touching his Audience of the King)         My dear Mr. Chamberlain,         Since you last heard from me,         Many curious things have happened,         Both in Birmingham and abroad.         As to the happenings in Birmingham,         Nobody cares tuppence for them.         The happenings abroad, however, are a different matter,         Inasmuch as they have brought you great fame,         And cost us a lot of money.         Your influence in the governance of this great country, my dear Mr. Chamberlain,         Is undoubted.         When you say things,         It is understood that all your fellow-ministers         Sit up and look good.         "We don't like it," they say in their decent hearts;         "But Joseph says it must be so, and be so it must."         To the delicate souls of Arthur James,         And George, and Broddy, and the rest of 'em,         You must, my dear Mr. Chamberlain, be a good deal of a trial,         But, somehow, they have to put up with you,         Even as the honest martyr has to put up with his shirt;         And, for my own part, I rather like to see it:         At any rate, in a sort of way, don't you know.         But, my dear Mr. Chamberlain,         In the daily papers of Monday morning,         What did I read?    Why, I read:         "Mr. Chamberlain had an audience of the King         Yesterday afternoon."         And yesterday afternoon was Sunday afternoon.         Now, my dear Joseph, I do not mind in the least         What you do to Arthur James,         Or what you do to George,         Or what you do to Broddy,         Or whether you do it on Sunday afternoons,         Or on any other afternoon.         But I really must draw the line somewhere,         And I wish you to understand         That if you go to see His Majesty the King         On Sunday afternoons         (On the afternoon of the Sabbath, as they would say in Birmingham),         You do so entirely without my approval.         I think it is scandalous, and, not being a politician,         I have no hesitation in saying what I think.         Somehow, while I know you to be a competent man of business,         You never figure in my mind's eye, Joseph,         As the sort of man who ought to have         Personal communication with his Sovereign,         Particularly on Sunday afternoons.         Birmingham men were not born to grace the Court;         And, when it comes to the furnishing of Pleasant Sunday Afternoons for Monarchs,         In my opinion, they are quite out of it.         When business presses,         As it no doubt did press on Sunday, Joseph,         It is your business, as a Birmingham man,         To remember your origin,         And, if you have anything on your mind         Which really must be communicated         To His Gracious Majesty King Edward the Seventh,         To look up the peerage and send round somebody         Who is, as one might say, fit for the job.         There is always Salisbury,         There is always Arthur James,         There is always George,         And there is always Broddy:         These men, my dear Joseph, are gentlemen,         And have known the Court all their lives.         What they do on Sundays I neither know nor care         But I have no doubt that, if you told them to go round and see the King,         They would go hotfoot and see him.         So that you have no excuse, Joseph.         Birmingham will, no doubt, forgive you this once:         As for me, I solemnly swear that I never will.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a scathing critique of the British politician Joseph Chamberlain, delivered in the voice of a Birmingham man who feels disenfranchised by Chamberlain's rise to power and his perceived arrogance. The poem's structure, with its irregular meter and stanza pattern, mirrors the speaker's sense of disarray and disillusionment. The use of imagery, particularly in the comparison of Birmingham men to those who were not born to grace the Court, highlights the speaker's feelings of inferiority and exclusion. The poem's tone shifts from sarcasm to indignation, particularly in the speaker's declaration that he never will forgive Chamberlain's actions. A precise observation is that the poem's final line, I solemnly swear that I never will, serves as a stark counterpoint to the earlier claim that Chamberlain has great fame and is undoubted in his influence, underscoring the speaker's fundamental disagreement with Chamberlain's status and authority.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.