To The Private Member

By Thomas William Hodgson Crosland

        My dear Sir, -         You may think it unkind of me         To interrupt the peaceful calm of your holiday         With a poem about business.         But I assure you, my dear sir,         That I do so with the very best intentions,         And at the call of what I consider to be duty.         Duty, as you know, is a tremendous abstraction,         And brings a man into all sorts of difficult corners.         It was duty that took you into Parliament:         Similarly it is duty that constrains me to Odes.         When a man sees another man and pities him,         It is the duty of the first man to let the other man know about it         Delicately.         I pity you, my dear Mr. Private Member,         From the bottom of a bottomless heart.         Many a time and oft in the course of my rambles         Through the lobbies and liquor bars of St. Stephens         It has been my ineffable portion to run across you -         Silk hat, frock coat, baggy trousers, patient stare, bored expression:         Suddenly you smile         And crook the pregnant hinges of the back of your neck.         Mrs. Wiggle, the three Misses Wiggle, and little Master Wiggle,         Wife, daughters, and son of Mr. Forthree Wiggle,         Draper, and burgess of the good old Parliamentary Division         Of Mudsher West,         Are up from Mudsher West,         And they want showin' round the 'Ouse, you know.         Round you go.         Again: you appear in the Strangers' Lobby,         Spectacles on nose, somebody's card in hand.         The policeman roars out name of leading constituent.         Leading constituent departed in a huff twenty minutes ago,         Because he thought you were not attending to him.         There being no answer,         Policeman roars out name of leading constituent once more.         Name echoes along Lords' Lobby;         But not being there, leading constituent fails to come forward.         You look embarrassed, turn tail, retire to your back bench,         And feel deucedly uncomfortable for the rest of the evening.         You would like to get away to the theatre,         But you dare not do it:         There are Whips about.         You would like to go home to bed;         You must wait the good pleasure of the course of the debate.         You would like to stand on your hind legs         And address the House on large matters:         But you know in your heart         That the House will stand absolutely nothing from you         Bar a question or so.         You sit, and sit, and sit through dull debate after dull debate,         And you sigh for the hustings and the brass bands,         And the banquets and the "He's-a-jolly-good-fellow"-s         And wonder how it comes to pass         That you, who were once set down in the Mudsher Mercury         For a blend of Demosthenes and John Bright,         Can never get more than twenty words off the end of your tongue         After "Mr. Speaker, Sir."         Oh! my dear Mr. Private Member,         Your case is indeed a sad one,         And it is all the sadder when one comes to reflect         That, as a general rule, you are a sincereish sort of man,         Burning and bursting with a desire         To do your poor suffering country         A bit of good.         You know that the men who have the ear of the House         Are mere talkers;         That they are only "playing the party game,"         And that the country may go to pot for anything they care.         And yet they make their speeches         And get them reported at length in the papers,         And are given places in the Cabinet,         And go for "dines-and-sleeps" with the King,         What time you grow old and grey and obese and bleary eyed,         And never get the smallest show.         I pity you, my dear Mr. Private Member, I do really.         But for your comfort I may tell you         That all you lack         Is courage         And brains.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem offers a biting satire of political life, particularly the plight of the Private Member in Parliament. The speaker adopts a tone of mock solicitude, addressing the unnamed politician with feigned concern while systematically dismantling the hollow rituals of parliamentary duty. The poem’s single, unbroken stanza mimics the relentless tedium of legislative life, as the speaker chronicles the Member’s futile efforts to engage in meaningful debate or even escape the drudgery of his role. The imagery of the Member’s physical discomfort his patient stare, bored expression, and eventual grey and obese and bleary eyed state underscores the dehumanizing nature of the institution. The poem’s final lines, urging the Member to cultivate courage and brains, serve as a cynical acknowledgment that the system is rigged against those who lack the necessary cunning or ambition. The poem’s power lies in its unflinching portrayal of political theater, where sincerity is wasted and performance is rewarded. Its most precise observation is the way it exposes the gap between idealized public service and the grinding reality of partisan politics.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.