To The Pope

By Thomas William Hodgson Crosland

        May it please your Holiness         There are possibly two,         Or it may be three,         Men         In Europe         Who could indite this Ode         Without treading on anybody's corns.         After mature reflection,         I am inclined to think that I am those three men         So that you will understand.         Well, my dear Pope, I hear on all hands         That you are engaged, at the present moment,         In the cheerful act and process         Of having a Jubilee.         I have had several myself         And I know what pleasant little functions they are,         Especially when the King         Sends a mission to congratulate one on them.         To proceed,         You must know, my dear Pope,         That, by conviction         And in my own delightful country,         I am a rabid, saw-toothed Kensitite Protestant;         All my ancestors figure gloriously         In Foxe's "Book of Martyrs,"         And, if they don't, they ought to.         Also, I never go into Smithfield         Without thinking of the far-famed fires thereof         And thanking my lucky stars         That this is Protestant England         And that the King defends the Faith.         But, when I get on to the Continent,         To do my week-end in Paris,         Or my "ten days at lovely Lucerne,"         Or my walk with Dr. Lunn         "In the footsteps of St. Paul,"         Why, then, somehow         The bottom falls clean out of my Kensitariousness         And I become a decent, mass-hearing, candle-burning Catholic.         That is curious, but true,         And may probably be accounted for         By differences of climate.         However, we can leave that;         Here, in England, my dear Pope,         We all like you,         Whether we be Catholics or Protestants or Jews or Gentiles or members of the Playgoers' Club;         And we all see you, in our minds' eye,         Seated benevolently upon your throne         Giving people blessings;         Or walking in the Vatican Garden         Clothed on with simple white.         We all think of you, my beloved Pope,         As a diaphanous and dear old gentleman         Whose intentions are the kindest in the world.         And yet, and yet, and yet -         The memory of Smithfield         So rages in our honest British blood         That, in spite of your white garments         And your placid, gentle ways,         We feel quite sure that you do carry,         Somewhere about your person,         A box of matches;         And that, if certain people had their way,         You would soon be lighting such a candle in England         That we should want a new Foxe         And a new Book of Martyrs         Of about the size of a pantechnicon.         Hence it is, my dear Pope,         That we - er - Englishmen remain Protestant         And make the King swear fearful oaths         Against popery and all its works,         Although, for aught one knows to the contrary,         He may have Mass said twice daily         Behind the curtain, as it were.         All the same, I wish you good wishes         As to this your Jubilee         And         Nihil obstat.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a witty and satirical exploration of the complexities of English identity and the relationship between Catholics and Protestants. The speaker's voice is characterized by a lighthearted and ironic tone, which is juxtaposed with a sharp awareness of the historical and cultural tensions between the two faiths. The poem's structure, with its irregular meter and stanza pattern, adds to its sense of informality and conversational tone, while the use of imagery and sound helps to reinforce the speaker's playful yet pointed commentary on the politics of faith. The poem's central argument - that despite outward appearances of tolerance and affection for the Pope, Englishmen retain a deep-seated Protestantism - is underscored by a series of clever and unexpected voltes, including the speaker's sudden shift from a tone of affectionate familiarity to one of suspicion and mistrust. This tonal shift is reinforced by the use of sound, particularly in the repetition of the phrase and yet, and yet, and yet, which creates a sense of growing tension and unease. Ultimately, the poem's observation that the memory of Smithfield / So rages in our honest British blood suggests that the legacy of Protestantism is a deeply ingrained and enduring part of English identity.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.