The Romance Of Patrolman Casey

By Ellis Parker Butler

    There was a young patrolman who     Had large but tender feet;     They always hurt him badly when     He walked upon his beat.     (He always took them with him when     He walked upon his beat.)     His name was Patrick Casey and     A sweetheart fair had he;     Her face was full of freckles, but     Her name was Kate McGee.     (It was in spite of freckles that     Her name was Kate McGee.)     “Oh, Pat!” she said, “I’ll wed you when     Promotion comes to you!”     “I’m much-obliged,” he answered, and     “I’ll see what I can do.”     (I may remark he said it thus,     “Oi’ll say phwat Oi kin do.”)     So then he bought some new shoes which     Allowed his feet more ease,     They may have been large twelves. Perhaps     Eighteens, or twenty-threes.     (That’s rather large for shoes, I think,     Eighteens or twenty-threes!)     What last they were I don’t know, but     Somehow it seems to me     I’ve heard somewhere they either were     A, B, C, D, or E.     (More likely they were five lasts wide,     A, B plus C, D, E.)     They were the stoutest cowhide that     Could be peeled off a cow.         :     :     :     :     But he was not promoted         :     :     :     :                         So     Kate wed him anyhow.         :     :     :     :     (This world is crowded full of Kates     That wed them anyhow.)

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem employs a playful, rhythmic structure to subvert expectations of traditional romantic narratives, using humor and absurdity to underscore the ordinariness of love. The monostrophic form, with its consistent tetrameter lines and irregular line breaks, creates a sing-song quality, while the parenthetical asides inject a conversational, almost gossipy tone. The imagery of oversized shoes and freckled faces heightens the absurdity, while the Irish dialect in Pat’s speech adds a layer of warmth and authenticity. The volta occurs subtly in the final stanza, shifting from the whimsical details of Pat’s struggles to the blunt reality of Kate’s decision, which, though mundane, carries a poignant commentary on the pragmatism of love. The poem’s conclusion This world is crowded full of Kates / That wed them anyhow delivers a sharp, understated truth about compromise in relationships.

Understanding Limerick

A limerick is a five-line poem known for its jaunty rhythm, playful tone, and a punchline twist. It’s built for humor—often sly, sometimes downright silly.


Common characteristics of limericks:

  • Five Lines & Rhyme: The standard scheme is AABBA—the first, second, and fifth lines rhyme; the shorter third and fourth lines rhyme with each other.
  • Bouncy Meter: Typically anapestic (two short, one long beat). Lines 1, 2, and 5 are longer; lines 3 and 4 are shorter.
  • Tone & Humor: Lighthearted, mischievous, and built around a final gag or reversal.
  • Subject & Setup: Often starts with “There once was a … from …,” setting place and character before the comic turn.
  • Sound Play: Internal rhyme, alliteration, and rhythmic snap heighten the joke’s delivery.

The best limericks land like a good toast: quick, musical, and clinched by a memorable last line.