The Scorpion

By Hilaire Belloc

    The Scorpion is as black as soot,     He dearly loves to bite;     He is a most unpleasant brute     To find in bed at night.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem presents a scathing critique of a person, likening them to a scorpion, a creature known for its painful sting. The poem's use of a single stanza with four-line stanzas and a consistent line length creates a sense of compactness and intensity, underscoring the speaker's strong emotions. The meter is primarily iambic, with an occasional anapest, adding to the sense of urgency and annoyance. The voice is direct and accusatory, with a hint of disgust, conveyed through words like unpleasant brute and dearly loves to bite. The imagery is stark and vivid, with the scorpion's color (as black as soot) and behavior (bites) serving as potent metaphors for the person's unpleasant qualities. The poem's tone shifts from a general disdain to a more personal and intimate level, as the speaker describes finding the person in bed at night, emphasizing the intrusion and discomfort of their presence. This turn is marked by the phrase To find in bed at night, which serves as a kind of punchline, highlighting the speaker's disgust and frustration. The poem's conclusion is characterized by a sense of finality and certainty, underscoring the speaker's strong feelings towards the person in question. The observation that the scorpion's color is as black as soot serves as a lasting impression, implying that the person's darkness and unpleasantness are deeply ingrained and enduring.

Understanding Limerick

A limerick is a five-line poem known for its jaunty rhythm, playful tone, and a punchline twist. It’s built for humor—often sly, sometimes downright silly.


Common characteristics of limericks:

  • Five Lines & Rhyme: The standard scheme is AABBA—the first, second, and fifth lines rhyme; the shorter third and fourth lines rhyme with each other.
  • Bouncy Meter: Typically anapestic (two short, one long beat). Lines 1, 2, and 5 are longer; lines 3 and 4 are shorter.
  • Tone & Humor: Lighthearted, mischievous, and built around a final gag or reversal.
  • Subject & Setup: Often starts with “There once was a … from …,” setting place and character before the comic turn.
  • Sound Play: Internal rhyme, alliteration, and rhythmic snap heighten the joke’s delivery.

The best limericks land like a good toast: quick, musical, and clinched by a memorable last line.