More Nonsense Limerick 64

By Edward Lear

    There was an old person of Nice,     Whose associates were usually Geese.     They walked out together     In all sorts of weather,     That affable person of Nice!

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is playfully subverting the traditional notion of a person's companions, juxtaposing a gentle, affable individual with a group of geese, which are often seen as noisy and unruly. The poem's structure, with its simple, consistent meter and lineation, contributes to its lighthearted tone. The use of short, punchy lines and a loose, conversational stanza pattern adds to the sense of informality and familiarity, underscoring the speaker's affection for the old person of Nice. The rhyme scheme, limited to a single rhyme pair, further reinforces the poem's playful, tongue-in-cheek quality. A structural turn occurs midway through the poem, when the phrase In all sorts of weather serves as a kind of refrain, emphasizing the old person's companionship with the geese across various conditions. This repetition creates a sense of continuity and emphasizes the poem's central idea, while also highlighting the speaker's admiration for the old person's ability to find companionship in unexpected places. The tone shifts from playful to warm, conveying a sense of appreciation for the old person's endearing nature.

Understanding Limerick

A limerick is a five-line poem known for its jaunty rhythm, playful tone, and a punchline twist. It’s built for humor—often sly, sometimes downright silly.


Common characteristics of limericks:

  • Five Lines & Rhyme: The standard scheme is AABBA—the first, second, and fifth lines rhyme; the shorter third and fourth lines rhyme with each other.
  • Bouncy Meter: Typically anapestic (two short, one long beat). Lines 1, 2, and 5 are longer; lines 3 and 4 are shorter.
  • Tone & Humor: Lighthearted, mischievous, and built around a final gag or reversal.
  • Subject & Setup: Often starts with “There once was a … from …,” setting place and character before the comic turn.
  • Sound Play: Internal rhyme, alliteration, and rhythmic snap heighten the joke’s delivery.

The best limericks land like a good toast: quick, musical, and clinched by a memorable last line.