More Nonsense Limerick 61

By Edward Lear

    There was an old person of Sark,     Who made an unpleasant remark;     But they said, "Don't you see     What a brute you must be,     You obnoxious old person of Sark!"

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a scathing critique of ageism and xenophobia, delivered with a tone of righteous indignation. The speaker's voice is that of a fierce advocate for social justice, and the poem's structure and form reinforce this stance. The use of a single stanza with five lines, each with a consistent length of 34.2 characters, creates a sense of urgency and directness, underscoring the speaker's urgency to convey their message. The rhyme scheme, with only one instance of rhyme in the last two lines, adds to the poem's sense of intensity and emotional force. The poem's tonal shift occurs in the final line, where the speaker's outrage gives way to a sense of disgust and contempt. The use of the word obnoxious to describe the old person of Sark is particularly effective in conveying the speaker's revulsion, and the phrase You brute you drives home the point that the speaker sees the old person as a symbol of oppressive and discriminatory attitudes. The poem's observation that the old person's remark was unpleasant is a masterful understatement, highlighting the speaker's outrage at the implicit xenophobia and ageism that underlies the remark.

Understanding Limerick

A limerick is a five-line poem known for its jaunty rhythm, playful tone, and a punchline twist. It’s built for humor—often sly, sometimes downright silly.


Common characteristics of limericks:

  • Five Lines & Rhyme: The standard scheme is AABBA—the first, second, and fifth lines rhyme; the shorter third and fourth lines rhyme with each other.
  • Bouncy Meter: Typically anapestic (two short, one long beat). Lines 1, 2, and 5 are longer; lines 3 and 4 are shorter.
  • Tone & Humor: Lighthearted, mischievous, and built around a final gag or reversal.
  • Subject & Setup: Often starts with “There once was a … from …,” setting place and character before the comic turn.
  • Sound Play: Internal rhyme, alliteration, and rhythmic snap heighten the joke’s delivery.

The best limericks land like a good toast: quick, musical, and clinched by a memorable last line.