Book Of Nonsense Limerick 71.

By Edward Lear

    There was an Old Man in a pew,     Whose waistcoat was spotted with blue;     But he tore it in pieces,     To give to his nieces, -     That cheerful Old Man in a pew.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This is a whimsical poem that leans heavily into the limerick form, which is characterized by its five-line AABBA rhyme structure and rhythmic pattern. The theme delves into the eccentricity of old age, generosity, and familial bonds. The old man's actions are both peculiar and heartwarming, reflecting a tone that is both light-hearted and affectionate.

The color imagery, specifically the "blue" spots on the man's waistcoat, may symbolize the man's old age or the wisdom associated with it. The act of tearing his waistcoat "in pieces" to give to his nieces can be seen as an emblem of selfless love or the desire to leave a tangible keepsake for loved ones. The repetition of the phrase "Old Man in a pew" both begins and ends the poem, creating a circular structure that provides a sense of completeness. The humor and humanity found in this poem are key elements that make it both engaging and memorable.

Understanding Limerick

A limerick is a five-line poem known for its jaunty rhythm, playful tone, and a punchline twist. It’s built for humor—often sly, sometimes downright silly.


Common characteristics of limericks:

  • Five Lines & Rhyme: The standard scheme is AABBA—the first, second, and fifth lines rhyme; the shorter third and fourth lines rhyme with each other.
  • Bouncy Meter: Typically anapestic (two short, one long beat). Lines 1, 2, and 5 are longer; lines 3 and 4 are shorter.
  • Tone & Humor: Lighthearted, mischievous, and built around a final gag or reversal.
  • Subject & Setup: Often starts with “There once was a … from …,” setting place and character before the comic turn.
  • Sound Play: Internal rhyme, alliteration, and rhythmic snap heighten the joke’s delivery.

The best limericks land like a good toast: quick, musical, and clinched by a memorable last line.