Book Of Nonsense Limerick 106.

By Edward Lear

Limerick
    There was an old Person of Burton,     Whose answers were rather uncertain;     When they said, "How d'ye do?"     He replied, "Who are you?"     That distressing old person of Burton.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain
Analysis & Notes:
This poem is a fine example of a limerick, a form of poetry known for its whimsical and humorous nature. The structure adheres strictly to the limerick’s distinctive meter and rhyme scheme (AABBA), which adds a playful rhythm to the narrative. The theme revolves around the character of the 'old Person of Burton,' who is portrayed with a touch of humor and eccentricity. His unconventional responses to common social interactions infuse the poem with a comic absurdity and a gentle critique of social norms.

The tone of the poem is light and amusing, inviting the reader to share in the poet's apparent amusement at the old man's idiosyncratic behavior. The use of direct dialogue in the poem serves to enhance this humor, while also allowing the reader to feel more closely engaged with the person being described. Despite its brevity, the poem manages to present a vivid and humorous image of the old man's character, demonstrating the power of the limerick form to convey a great deal of meaning in a few short lines.

Understanding Limerick

A limerick is a five-line poem known for its jaunty rhythm, playful tone, and a punchline twist. It’s built for humor—often sly, sometimes downright silly.

Common characteristics of limericks:

  • Five Lines & Rhyme: The standard scheme is AABBA—the first, second, and fifth lines rhyme; the shorter third and fourth lines rhyme with each other.
  • Bouncy Meter: Typically anapestic (two short, one long beat). Lines 1, 2, and 5 are longer; lines 3 and 4 are shorter.
  • Tone & Humor: Lighthearted, mischievous, and built around a final gag or reversal.
  • Subject & Setup: Often starts with “There once was a … from …,” setting place and character before the comic turn.
  • Sound Play: Internal rhyme, alliteration, and rhythmic snap heighten the joke’s delivery.

The best limericks land like a good toast: quick, musical, and clinched by a memorable last line.