To The Sighing Strephon.

By George Gordon Byron

1.     Your pardon my friend,     If my rhymes did offend,     Your pardon a thousand times o'er,     From friendship I strove,     Your pangs to remove,     But I swear I will do so no more. 2.     Since your beautiful maid     Your flame has repaid,     No more I your folly regret;     She's now most divine,     And I bow at the shrine,     Of this quickly reformed coquette. 3.     But still I must own,     I should never have known,     From your verses what else she deserv'd,     Your pain seem'd so great,     I pitied your fate,     As your fair was so dev'lish reserv'd. 4.     But since the chaste kiss,     Of this magical Miss,     Such wonderful transports produce,     Since the "world you forget,"     "When your lips once have met,"     My Counsel will get but abuse. 5.     You say "when I rove"     "I know nothing of love,"     'Tis true I am given to range,     If I rightly remember,     I've kiss'd a good number,     But there's pleasure at least in a change. 6.     I ne'er will advance,     By the rules of romance,     To humour a whimsical fair,     Though a smile may delight,     Yet a frown wont affright,     Or drive me to dreadful despair. 7.     Whilst my blood is thus warm,     I ne'er shall reform,     To mix in the Platonist's school;     Of this I am sure,     Was my passion so pure,     My mistress must think me a fool. 8.     Though the kisses are sweet,     Which voluptuously meet,     Of kissing I ne'er was so fond,     As to make me forget,     Though our lips oft have met,     That still there was something beyond. 9.     And if I should shun,     Every woman for one,     Whose image must fill my whole breast;     Whom I must prefer,     And sigh but for her,     What an insult 'twould be to the rest! 10.     Now, Strephon, good bye,     I cannot deny,     Your passion appears most absurd,     Such love as you plead,     Is pure love indeed,     For it only consists in the word.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
The poem presents a witty, unapologetic defense of sexual freedom against romantic monogamy, structured as a conversational exchange between two speakers. The speaker's voice is playful and defiant, rejecting the other’s earnest pleas for fidelity with humor and logic. The poem's rhythmic structure, with its consistent rhyme scheme and conversational meter, mirrors the speaker’s confident, unflustered tone. The imagery contrasts the speaker’s physical pleasures kisses, transports, and change with the other’s idealized, pain-filled devotion, underscoring the speaker’s rejection of romantic suffering. A subtle volta occurs in the ninth stanza, where the speaker shifts from defending their promiscuity to mocking the exclusivity of monogamous love, calling it an insult to other women. The final lines deliver a sharp, uncompromising critique of love as mere rhetoric, leaving no room for sentimentality. The poem’s lasting insight is its unflinching assertion that desire, not devotion, defines human relationships.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.