A Casualty

By Robert William Service

     That boy I took in the car last night,      With the body that awfully sagged away,      And the lips blood-crisped, and the eyes flame-bright,      And the poor hands folded and cold as clay -      Oh, I've thought and I've thought of him all the day.      For the weary old doctor says to me:      "He'll only last for an hour or so.      Both of his legs below the knee      Blown off by a bomb. . . . So, lad, go slow,      And please remember, he doesn't know."      So I tried to drive with never a jar;      And there was I cursing the road like mad,      When I hears a ghost of a voice from the car:      "Tell me, old chap, have I 'copped it' bad?"      So I answers "No," and he says, "I'm glad."      "Glad," says he, "for at twenty-two      Life's so splendid, I hate to go.      There's so much good that a chap might do,      And I've fought from the start and I've suffered so.      'Twould be hard to get knocked out now, you know."      "Forget it," says I; then I drove awhile,      And I passed him a cheery word or two;      But he didn't answer for many a mile,      So just as the hospital hove in view,      Says I: "Is there nothing that I can do?"      Then he opens his eyes and he smiles at me;      And he takes my hand in his trembling hold;      "Thank you - you're far too kind," says he:      "I'm awfully comfy - stay . . . let's see:      I fancy my blanket's come unrolled -      My feet, please wrap 'em - they're cold . . . they're cold."

Share & Analyze This Poem

Spread the beauty of poetry or dive deeper into analysis

Analyze This Poem

Discover the literary devices, structure, and deeper meaning

Create Image

Transform this poem into a beautiful shareable image

Copy to Clipboard

Save this poem for personal use or sharing offline


Share the Love of Poetry

Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a masterful exploration of the human condition, deftly navigating the complexities of mortality, compassion, and the fragility of life. The poem's structure, marked by a loose iambic tetrameter and an irregular stanza pattern, belies its emotional intensity, which is conveyed through the speaker's voice, a mix of empathy and detachment. The use of imagery, particularly in the first stanza, creates a vivid picture of the wounded boy, while the sound of the poem, with its repetition of consonant sounds and internal rhymes, adds to the sense of urgency and desperation. The poem's tonal shift occurs when the speaker encounters the boy's ghost, who, despite his physical injuries, exudes a sense of gratitude and appreciation for the kindness shown to him. This moment of levity and warmth humanizes the boy, and the speaker's response, which oscillates between reassurance and concern, underscores the complexities of their relationship. The final observation is that the poem's most profound moment of connection is not between the speaker and the boy, but between the speaker and the boy's gratitude, which is a testament to the power of compassion and human connection.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.