The Sceptic

By Robert William Service

        My Father Christmas passed away         When I was barely seven.         At twenty-one, alack-a-day,         I lost my hope of heaven.         Yet not in either lies the curse:         The hell of it's because         I don't know which loss hurt the worse -         My God or Santa Claus.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This eight-line poem by Gwendolyn Brooks uses sparse, conversational language to grapple with the double loss of paternal figures both earthly and divine while its formal structure underscores the irreconcilable grief at its core. The opening quatrain establishes a rhythmic cadence through its end-stopped lines and internal rhymes (away/seven, day/heaven), mirroring the speaker's measured but resolute tone. The volta arrives in the final quatrain, where the rhyme scheme tightens into a couplet, reinforcing the poem's pivot from enumerating losses to confronting their emotional weight. The phrase alack-a-day introduces an archaism that contrasts with the contemporary lament, while the closing lines' blunt syntax (My God or Santa Claus) underscores the speaker's inability to rank these losses, leaving the reader with the unsettling equivalence of faith and childhood fantasy. The poem's power lies in its refusal to assign hierarchy to grief, instead presenting both losses as equally devastating.

Understanding Limerick

A limerick is a five-line poem known for its jaunty rhythm, playful tone, and a punchline twist. It’s built for humor—often sly, sometimes downright silly.


Common characteristics of limericks:

  • Five Lines & Rhyme: The standard scheme is AABBA—the first, second, and fifth lines rhyme; the shorter third and fourth lines rhyme with each other.
  • Bouncy Meter: Typically anapestic (two short, one long beat). Lines 1, 2, and 5 are longer; lines 3 and 4 are shorter.
  • Tone & Humor: Lighthearted, mischievous, and built around a final gag or reversal.
  • Subject & Setup: Often starts with “There once was a … from …,” setting place and character before the comic turn.
  • Sound Play: Internal rhyme, alliteration, and rhythmic snap heighten the joke’s delivery.

The best limericks land like a good toast: quick, musical, and clinched by a memorable last line.