Twopenny Post-Bag, Intercepted Letters, Etc. Letter VI

By Thomas Moore

    FROM ABDALLAH,[1] IN LONDON, TO MOHASSAN, IN ISPAHAN.     Whilst thou, Mohassan, (happy thou!)     Dost daily bend thy loyal brow     Before our King--our Asia's treasure!     Nutmeg of Comfort: Rose of Pleasure!--     And bearest as many kicks and bruises     As the said Rose and Nutmeg chooses;     Thy head still near the bowstring's borders.     And but left on till further orders--     Thro' London streets with turban fair,     And caftan floating to the air,     I saunter on, the admiration     Of this short-coated population--     This sewed-up race--this buttoned nation--     Who while they boast their laws so free     Leave not one limb at liberty,     But live with all their lordly speeches     The slaves of buttons and tight breeches.         Yet tho' they thus their knee-pans fetter     (They're Christians and they know no better)         In some things they're a thinking nation;     And on Religious Toleration.     I own I like their notions quite,     They are so Persian and so right!     You know our Sunnites,[2] hateful dogs!     Whom every pious Shiite flogs     Or longs to flog--'tis true, they pray     To God, but in an ill-bred way;     With neither arms nor legs nor faces     Stuck in their right, canonic places.[3]     'Tis true, they worship Ali's name--     Their heaven and ours are just the same--     (A Persian's Heaven is easily made,     'Tis but black eyes and lemonade.)     Yet tho' we've tried for centuries back--     We can't persuade this stubborn pack,     By bastinadoes, screws or nippers,     To wear the establisht pea-green slippers.[4]     Then, only think, the libertines!     They wash their toes--they comb their chins,     With many more such deadly sins;     And what's the worst, (tho' last I rank it)     Believe the Chapter of the Blanket!         Yet spite of tenets so flagitious,     (Which must at bottom be seditious;     Since no man living would refuse     Green slippers but from treasonous views;     Nor wash his toes but with intent     To overturn the government,)--     Such is our mild and tolerant way,     We only curse them twice a day     (According to a Form that's set),     And, far from torturing, only let     All orthodox believers beat 'em,     And twitch their beards where'er they meet 'em.         As to the rest, they're free to do     Whate'er their fancy prompts them to,     Provided they make nothing of it     Towards rank or honor, power or profit;     Which things we naturally expect,     Belong to US, the Establisht sect,     Who disbelieve (the Lord be thanked!)     The aforesaid Chapter of the Blanket.     The same mild views of Toleration     Inspire, I find, this buttoned nation,     Whose Papists (full as given to rogue,     And only Sunnites with a brogue)     Fare just as well, with all their fuss,     As rascal Sunnites do with us.         The tender Gazel I enclose     Is for my love, my Syrian Rose--     Take it when night begins to fall,     And throw it o'er her mother's wall.     GAZEL.     Rememberest thou the hour we past,--     That hour the happiest and the last?     Oh! not so sweet the Siha thorn     To summer bees at break of morn,     Not half so sweet, thro' dale and dell,     To Camels' ears the tinkling bell,     As is the soothing memory     Of that one precious hour to me.     How can we live, so far apart?     Oh! why not rather, heart to heart,             United live and die--     Like those sweet birds, that fly together,     With feather always touching feather,             Linkt by a hook and eye![5]

Share & Analyze This Poem

Spread the beauty of poetry or dive deeper into analysis

Analyze This Poem

Discover the literary devices, structure, and deeper meaning

Create Image

Transform this poem into a beautiful shareable image

Copy to Clipboard

Save this poem for personal use or sharing offline


Share the Love of Poetry

Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a vivid exploration of cultural contrast, religious tolerance, and personal longing. The speaker, Abdallah, shares his observations on the stark differences between his native Persian culture and the English society he currently inhabits. The use of satirical commentary and metaphors, especially in his portrayal of the English as a "buttoned nation", is a standout feature in this poem. This metaphor not only illustrates the physical attire of the English, but also reflects the perceived constraints of their society.

The speaker draws a parallel between religious sects in Persia and England, highlighting the theme of religious toleration. Despite the mockery, the speaker admires the tolerance and freedom in England, describing it as "Persian and so right!". The poem also dwells on personal longing and love, as shown through the enclosed Gazel, a traditional Arabic verse, dedicated to Abdallah's distant love. This love poem within a poem adds another layer of complexity, bridging the gap between the personal and the societal. The structure of the poem, with a blend of commentary and personal emotions, effectively captures the speaker's experiences and feelings.

Overall, the poem employs satire and metaphysical conceits to critique societal norms, while reinforcing the importance of tolerance and love, making it a rich and layered piece of work.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.