Twopenny Post-Bag, Intercepted Letters, Etc. Letter III

By Thomas Moore

    FROM GEORGE PRINCE REGENT TO THE EARL OF YARMOUTH.[1]     We missed you last night at the "hoary old sinner's,"     Who gave us as usual the cream of good dinners;     His soups scientific, his fishes quite prime--     His pts superb, and his cutlets sublime!     In short, 'twas the snug sort of dinner to stir a     Stomachic orgasm in my Lord Ellenborough,     Who set to, to be sure, with miraculous force,     And exclaimed between mouthfuls, "a He-Cook, of course!--     "While you live--(what's there under that cover? pray, look)--     "While you live--(I'll just taste it)--ne'er keep a She-Cook.     "'Tis a sound Salic Law--(a small bit of that toast)--     "Which ordains that a female shall ne'er rule the roast;     "For Cookery's a secret--(this turtle's uncommon)--     "Like Masonry, never found out by a woman!"         The dinner you know was in gay celebration     Of my brilliant triumph and Hunt's condemnation;     A compliment too to his Lordship the Judge     For his Speech to the Jury--and zounds! who would grudge     Turtle soup tho' it came to five guineas a bowl,     To reward such a loyal and complaisant soul?     We were all in high gig--Roman Punch and Tokay     Travelled round till our heads travelled just the same way;     And we cared not for Juries or Libels--no--damme! nor     Even for the threats of last Sunday's Examiner!         More good things were eaten than said--but Tom Tyrrhitt     In quoting Joe Miller you know has some merit;     And hearing the sturdy Judiciary Chief     Say--sated with turtle--"I'll now try the beef"--     Tommy whispered him (giving his Lordship a sly hit)     "I fear 'twill be hung-beef, my Lord, if you try it!"         And Camden was there, who that morning had gone     To fit his new Marquis's coronet on;     And the dish set before him--oh! dish well-devised!--     Was what old Mother Glasse calls, "a calf's head surprised!"     The brains were near Sherry and once had been fine,     But of late they had lain so long soaking in wine,     That tho' we from courtesy still chose to call     These brains very fine they were no brains at all.         When the dinner was over, we drank, every one     In a bumper, "the venial delights of Crim. Con.;"     At which Headfort with warm reminiscences gloated,     And Ellenb'rough chuckled to hear himself quoted.         Our next round of toasts was a fancy quite new,     For we drank--and you'll own 'twas benevolent too--     To those well-meaning husbands, cits, parsons or peers,     Whom we've any time honored by courting their dears:     This museum of wittols was comical rather;     Old Headfort gave Massey, and I gave your father.     In short, not a soul till this morning would budge--     We were all fun and frolic, and even the Judge     Laid aside for the time his juridical fashion,     And thro' the whole night wasn't once in a passion!         I write this in bed while my whiskers are airing,     And Mac[2] has a sly dose of jalap preparing     For poor Tommy Tyrrhitt at breakfast to quaff--     As I feel I want something to give me a laugh,     And there's nothing so good as old Tommy kept close     To his Cornwall accounts after taking a dose.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a vivid, humorous piece that captures the essence of a lavish, celebratory gathering among high society men during a specific historical period. The poet employs satire and wit, creating a playful, jovial tone that characterises the entire piece. The feast, the wine, the camaraderie, and the playful jesting all contribute to an atmosphere of indulgence and merriment.

The poem is structured in rhymed couplets, which contributes to its rhythmic, conversational tone. The poet uses vivid imagery, particularly related to food, to convey the excess and indulgence of the event. The poem is also filled with allusion and historical references that offer a glimpse into the social, political, and cultural context of the time. Notably, the poet uses humor to critique and mock societal norms and expectations, especially those related to gender roles and the legal system. This is most evident in the lines about cookery being a secret "like Masonry, never found out by a woman", and the judiciary chief's comment on trying the beef. These instances of humor and satire, along with the poem's lively narrative and vivid descriptions, make it a compelling and entertaining read.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.