Twopenny Post-Bag, Intercepted Letters, Etc. Letter II

By Thomas Moore

    FROM COLONEL M'MAHON TO GOULD FRANCIS LECKIE, ESQ.     DEAR SIR--         I've just had time to look     Into your very learned Book,     Wherein--as plain as man can speak.     Whose English is half modern Greek--     You prove that we can ne'er intrench     Our happy isles against the French,     Till Royalty in England's made     A much more independent trade;--     In short until the House of Guelph     Lays Lords and Commons on the shelf,     And boldly sets up for itself.         All that can well be understood     In this said Book is vastly good;     And as to what's incomprehensible,     I dare be sworn 'tis full as sensible.         But to your work's immortal credit     The Prince, good Sir, the Prince has read it     (The only Book, himself remarks,     Which he has read since Mrs. Clarke's).     Last levee-morn he lookt it thro',     During that awful hour or two     Of grave tonsorial preparation,     Which to a fond, admiring nation     Sends forth, announced by trump and drum,     The best-wigged Prince in Christendom.         He thinks with you, the imagination     Of partnership in legislation     Could only enter in the noddles     Of dull and ledger-keeping twaddles,     Whose heads on firms are running so,     They even must have a King and Co.,     And hence most eloquently show forth     On checks and balances and so forth.         But now, he trusts, we're coming near a     Far more royal, loyal era;     When England's monarch need but say,     "Whip me those scoundrels, Castlereagh!"     Or, "Hang me up those Papists, Eldon,"     And 'twill be done--ay, faith, and well done.         With view to which I've his command     To beg, Sir, from your travelled hand,     (Round which the foreign graces swarm)[1]     A Plan of radical Reform;     Compiled and chosen as best you can,     In Turkey or at Ispahan,     And quite upturning, branch and root,     Lords, Commons, and Burdett to boot.         But, pray, whate'er you may impart, write     Somewhat more brief than Major Cartwright:     Else, tho' the Prince be long in rigging,     'Twould take at least a fortnight's wigging,--     Two wigs to every paragraph--     Before he well could get thro' half.         You'll send it also speedily--     As truth to say 'twixt you and me,     His Highness, heated by your work,     Already thinks himself Grand Turk!     And you'd have laught, had you seen how     He scared the Chancellor just now,     When (on his Lordship's entering puft) he     Slapt his back and called him "Mufti!"         The tailors too have got commands     To put directly into hands     All sorts of Dulimans and Pouches,     With Sashes, Turbans and Paboutches,     (While Yarmouth's sketching out a plan     Of new Moustaches l'Ottomane)     And all things fitting and expedient     To turkify our gracious Regent!         You therefore have no time to waste--     So, send your System.--                                     Yours in haste.     POSTSCRIPT.     Before I send this scrawl away,     I seize a moment just to say     There's some parts of the Turkish system     So vulgar 'twere as well you missed 'em.     For instance--in Seraglio matters--     Your Turk whom girlish fondness flatters,     Would fill his Haram (tasteless fool!)     With tittering, red-cheekt things from school.     But here (as in that fairy land,     Where Love and Age went hand in hand;[2]     Where lips, till sixty, shed no honey,     And Grandams were worth any money,)     Our Sultan has much riper notions--     So, let your list of she-promotions     Include those only plump and sage,     Who've reached the regulation-age;     That is, (as near as one can fix     From Peerage dates) full fifty-six.         This rule's for favorites--nothing more--     For, as to wives, a Grand Signor,     Tho' not decidedly without them,     Need never care one curse about them.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem, written in the form of a letter, is a satirical critique of monarchy, political power, and societal norms. The poet uses a witty, conversational tone to engage the reader and convey his criticisms. The poem is structured in rhymed couplets, a form that provides a rhythmic, almost playful, delivery of its pointed social commentary.

The poem's primary theme is the corruption and absurdity of monarchy, as seen through the poet's depiction of a prince who desires absolute power and treats political matters with a casual, almost dismissive, attitude. The poet also criticizes the subservience of others to the monarchy, portrayed through their willingness to follow any command, no matter how ridiculous.

Literary devices such as irony and satire are used throughout the poem to highlight the discrepancy between the Prince's self-important demeanor and his actual abilities. The poet also uses humorous, vivid imagery, such as the prince scaring the chancellor and calling him "Mufti," to further satirize the regal figure.

Another theme is the critique of societal norms around age and beauty. The poet mocks the preference for younger, school-aged girls in harems, advocating instead for older women, a suggestion that is both incisive and humorous.

Overall, the poem combines humor, social critique, and vivid imagery to deliver a satirical commentary on monarchy and societal norms.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.