Tout Pour La Tripe

By Thomas Moore

            "If in China or among the natives of India, we claimed civil advantages which were connected with religious usages, little as we might value those forms in our hearts, we should think common decency required us to abstain from treating them with offensive contumely; and, though unable to consider them sacred, we would not sneer at the name of Fot, or laugh at the imputed divinity of Visthnou."--Courier, Tuesday. Jan. 16.     Come take my advice, never trouble your cranium,         When "civil advantages" are to be gained,     What god or what goddess may help to obtain you 'em,         Hindoo or Chinese, so they're only obtained.     In this world (let me hint in your organ auricular)         All the good things to good hypocrites fall;     And he who in swallowing creeds is particular,         Soon will have nothing to swallow at all.     Oh place me where Fo (or, as some call him, Fot)         Is the god from whom "civil advantages" flow,     And you'll find, if there's anything snug to be got,         I shall soon be on excellent terms with old Fo.     Or were I where Vishnu, that four-handed god,         Is the quadruple giver of pensions and places,     I own I should feel it unchristian and odd         Not to find myself also in Vishnu's good graces.     For among all the gods that humanely attend         To our wants in this planet, the gods to my wishes     Are those that, like Vishnu and others, descend         In the form so attractive, of loaves and of fishes![1]     So take my advice--for if even the devil         Should tempt men again as an idol to try him,     'Twere best for us Tories even then to be civil,         As nobody doubts we should get something by him.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem appears to be a satirical commentary on the themes of religious hypocrisy and opportunism. The speaker advises the reader to embrace whatever faith gives them the most "civil advantages," whether that be from the Chinese deity Fot, the Hindu god Vishnu, or any other divine entity. The tone is rather mocking, with the speaker openly admitting to being willing to ingratiate themselves with whichever deity offers the most material benefits, thus highlighting the theme of opportunistic religious practice.

The structure of the poem is consistent and rhythmic, which adds to the sense of light-hearted mockery. The use of humor and irony as literary devices is prominent, as the speaker jests about the lengths they would go to for worldly gains, even if it means worshipping the devil. This serves to accentuate the underlying criticism of those who exploit religion for personal gain. The mention of specific gods from different cultures also suggests a critique of imperialism or cultural superiority, as it subtly points out the absurdity of dismissing other cultures' deities while exploiting their resources. However, it is worth noting that the poem does not aim to offend any religious belief but uses these references to convey its satirical message.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.