Tory Pledges

By Thomas Moore

    I pledge myself thro' thick and thin,         To labor still with zeal devout     To get the Outs, poor devils, in,         And turn the Ins, the wretches, out.     I pledge myself, tho' much bereft         Of ways and means of ruling ill,     To make the most of what are left,         And stick to all that's rotten still.     Tho' gone the days of place and pelf,         And drones no more take all the honey,     I pledge myself to cram myself         With all I can of public money.     To quarter on that social purse         My nephews, nieces, sisters, brothers,     Nor, so we prosper, care a curse         How much 'tis at the expense of others.     I pledge myself, whenever Right         And Might on any point divide,     Not to ask which is black or white.         But take at once the strongest side.     For instance, in all Tithe discussions,      I'm for the Reverend encroachers:-     I loathe the Poles, applaud the Russians,--         Am for the Squires, against the Poachers.     Betwixt the Corn-lords and the Poor         I've not the slightest hesitation,--     The People must be starved, to insure         The Land its due remuneration.     I pledge myself to be no more         With Ireland's wrongs beprosed or shammed,--     I vote her grievances a bore,         So she may suffer and be damned.     Or if she kick, let it console us,         We still have plenty of red coats,     To cram the Church, that general bolus,         Down any given amount of throats.     I dearly love the Frankfort Diet,--         Think newspapers the worst of crimes;     And would, to give some chance of quiet,         Hang all the writers of "The Times;"     Break all their correspondents' bones,         All authors of "Reply," "Rejoinder,"     From the Anti-Tory, Colonel Jones,         To the Anti-Suttee, Mr. Poynder.     Such are the Pledges I propose;         And tho' I can't now offer gold,     There's many a way of buying those         Who've but the taste for being sold.     So here's, with three times three hurrahs,         A toast of which you'll not complain,--     "Long life to jobbing; may the days         "Of Peculation shine again!"

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a satirical commentary on political corruption, nepotism, and the abuse of public power for personal gain. The speaker is a politician who openly declares his intentions to misuse power, favoring the strong over the weak, exploiting public funds for personal and familial enrichment, and showing no concern for the welfare of others. The tone is cynical and mocking, with the speaker taking on the persona of a corrupt politician with unabashed enthusiasm.

The poem’s structure follows a consistent four-line stanza pattern, which aids in emphasizing the speaker's unflinching commitment to his corrupt practices. The rhyming scheme (ABAB) and the steady rhythm give the poem a deceptively cheerful, jaunty feel, adding to its satirical nature. Notable literary devices include irony and hyperbole, used to highlight the absurdity of the speaker's actions and views. For example, the speaker's claim to "cram myself / With all I can of public money" is an exaggerated way of expressing the misuse of public funds, which underscores the satirical critique of political corruption.

The poem is a sharp critique of those in power who prioritize their own interests above those of the people they serve. While it is humorous in its open admission of corruption, it also challenges readers to question and scrutinize the actions and motives of those in positions of power.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.