To The Ship In Which Lord Castlereagh Sailed For The Continent

By Thomas Moore

    Imitated from Horace, lib. i, ode 3.     So may my Lady's prayers prevail,         And Canning's too, and lucid Bragge's,     And Eldon beg a favoring gale         From Eolus, that older Bags,     To speed thee on thy destined way,     Oh ship, that bearest our Castlereagh,     Our gracious Regent's better half         And therefore quarter of a King--     (As Van or any other calf         May find without much figuring).     Waft him, oh ye kindly breezes,         Waft this Lord of place and pelf,     Any where his Lordship pleases,         Tho' 'twere to Old Nick himself!     Oh, what a face of brass was his.     Who first at Congress showed his phiz--     To sign away the Rights of Man         To Russian threats and Austrian juggle;     And leave the sinking African         To fall without one saving struggle--     'Mong ministers from North and South,         To show his lack of shame and sense,     And hoist the sign of "Bull and Mouth"         For blunders and for eloquence!     In vain we wish our Secs, at home         To mind their papers, desks, and shelves,     If silly Secs, abroad will roam         And make such noodles of themselves.     But such hath always been the case--     For matchless impudence of face,     There's nothing like your Tory race!     First, Pitt, the chosen of England, taught her     A taste for famine, fire and slaughter.     Then came the Doctor, for our ease,     With Eldons, Chathams, Hawksburies,     And other deadly maladies.     When each in turn had run their rigs,     Necessity brought in the Whigs:     And oh! I blush, I blush to say,         When these, in turn, were put to flight, too,     Illustrious TEMPLE flew away         With lots of pens he had no right to.[1]     In short, what will not mortal man do?         And now, that--strife and bloodshed past--     We've done on earth what harm we can do,         We gravely take to heaven at last     And think its favoring smile to purchase     (Oh Lord, good Lord!) by--building churches!

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem serves as a satirical critique of political leaders and their actions, highlighting the themes of corruption, negligence, and the misuse of power. The tone is sardonic and biting, with the poet employing humor and irony to expose the absurdities and wrongdoings of the political figures mentioned.

The poem is structured in rhymed quatrains, creating a rhythmic flow that adds to the satirical tone. It includes several literary devices, such as allusion and metaphor, to convey its message. For instance, the poet refers to various historical figures, like Canning, Eldon, and Castlereagh, to critique specific political actions and ideologies. The metaphor of the ship represents the journey of political decisions and their widespread consequences.

The poem's standout feature is its irreverent humor, particularly evident in lines like "Waft this Lord of place and pelf, Anywhere his Lordship pleases, Tho' 'twere to Old Nick himself!". The poet effectively uses this humor to underscore the severity and absurdity of the issues at hand. The closing lines shift the critique to religious hypocrisy, indicating the poet's comprehensive attack on societal and institutional corruption. Overall, the poem is a powerful satirical commentary on politics, delivered in an accessible and engaging manner.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.