Corn And Catholics

By Thomas Moore

            utrum horum             dirius borun? Incerti Auctoris.     What! still those two infernal questions,         That with our meals our slumbers mix--     That spoil our tempers and digestions--         Eternal Corn and Catholics!     Gods! were there ever two such bores?         Nothing else talkt of night or morn--     Nothing in doors or out of doors,         But endless Catholics and Corn!     Never was such a brace of pests--         While Ministers, still worse than either,     Skilled but in feathering their nests,         Plague us with both and settle neither.     So addled in my cranium meet         Popery and Corn that oft I doubt,     Whether, this year, 'twas bonded Wheat,         Or bonded Papists, they let out.     Here, landlords, here polemics nail you,         Armed with all rubbish they can rake up;     Prices and Texts at once assail you--         From Daniel these, and those from Jacob,     And when you sleep, with head still torn         Between the two, their shapes you mix,     Till sometimes Catholics seem Corn--         Then Corn again seems Catholics.     Now Dantsic wheat before you floats--         Now Jesuits from California--     Now Ceres linkt with Titus Oats,         Comes dancing thro' the "Porta Cornea."[1]     Oft too the Corn grows animate,         And a whole crop of heads appears,     Like Papists, bearding Church and State--         Themselves, together by the ears!     In short these torments never cease,         And oft I wish myself transferred off     To some far, lonely land of peace         Where Corn or Papists ne'er were heard of.     Yes, waft me, Parry, to the Pole;         For--if my fate is to be chosen     'Twixt bores and icebergs--on my soul,         I'd rather, of the two, be frozen!

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a witty and sardonic commentary on the speaker's frustration with incessant debates and discussions about two seemingly unrelated topics: corn and Catholics. The poet employs satire and humor to critique the repetitive and monotonous nature of these discussions, and the exasperation it brings to daily life. With a tone that veers between annoyance and amusement, the poet deftly expresses his wish for escape from these constant debates.

The structure of the poem, with its consistent rhythm and rhyme, underscores the relentless, unending cycle of these discussions. The poet uses the recurring image of corn and Catholics to symbolize any subject that becomes so pervasive and overwhelming that it begins to consume daily life and thought. The repetition of these two motifs serves to evoke the sense of inescapability that the speaker feels. Imagery and metaphor are used to great effect, as in the lines, "Till sometimes Catholics seem Corn-- / Then Corn again seems Catholics," suggesting how the two topics have become confusingly intertwined in the speaker's mind. This poem, while humorous on the surface, is a powerful commentary on the impact of incessant debate on individual peace and society at large.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.