Church Extension. To The Editor Of The Morning Chronicle

By Thomas Moore

            Sir--A well-known classical traveller, while employed in exploring, some time since, the supposed site of the Temple of Diana of Ephesus, was so fortunate, in the course of his researches, as to light upon a very ancient bark manuscript, which has turned out, on examination, to be part of an old Ephesian newspaper;--a newspaper published, as you will see, so far back as the time when Demetrius, the great Shrine-Extender,[1] flourished.             I am, Sir, yours, etc.             EPHESIAN GAZETTE.     Second edition.     Important event for the rich and religious!         Great Meeting of Silversmiths held in Queen Square;--     Church Extension, their object,--the excitement prodigious;--         Demetrius, head man of the craft, takes the chair!     Third edition.     The Chairman still up, when our devil came away;         Having prefaced his speech with the usual state prayer,     That the Three-headed Dian would kindly, this day,         Take the Silversmiths' Company under her care.     Being askt by some low, unestablisht divines,         "When your churches are up, where are flocks to be got?"     He manfully answered, "Let us build the shrines,[2]         "And we care not if flocks are found for them or not."     He then added--to show that the Silversmiths' Guild         Were above all confined and intolerant views--     "Only pay thro' the nose to the altars we build,         "You may pray thro' the nose to what altars you choose."     This tolerance, rare from a shrine-dealer's lip         (Tho' a tolerance mixt with due taste for the till)--     So much charmed all the holders of scriptural scrip,         That their shouts of "Hear!" "Hear!" are re-echoing still.     Fourth edition.     Great stir in the Shrine Market! altars to Phoebus         Are going dog-cheap--may be had for a rebus.     Old Dian's, as usual, outsell all the rest;--         But Venus's also are much in request.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a fascinating blend of satire and historical narrative, providing commentary on religious exploitation and commercial greed. The poem is presented as excerpts from an ancient Ephesian newspaper, giving it an air of authenticity and historical gravitas. This structure cleverly allows the poet to comment on the past and present simultaneously, using the past as a mirror to reflect contemporary societal issues.

The key themes revolve around religious commercialism, manipulation, and the cynical view of faith as a profitable business. The portrayal of Demetrius as a 'Shrine-Extender' and the head of the silversmiths guild shows the intertwining of piety and profit, suggesting that the creation of religious artifacts is more about economic gain than spiritual devotion. The tone of the poem is satirical and slightly mocking, with the poet using humor to underscore the absurdity of the situation.

Key literary devices include irony, satire, and allusion. The poet employs irony through the character of Demetrius, who is more interested in building shrines ('Let us build the shrines') than in finding worshippers. The poem is satirical in its depiction of the religious marketplace, where altars to different gods are sold like commodities. The allusions to different deities like Diana, Phoebus, and Venus, and the reference to 'scriptural scrip', add depth to the poem and anchor it in a specific cultural and historical context. Overall, the poem is a thought-provoking critique of religious commercialization and the exploitation of faith for material gain.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.