Anticipated Meeting Of The British Association In The Year 1836

By Thomas Moore

    After some observations from Dr. M'Grig     On that fossil reliquium called Petrified Wig,     Or Perruquolithus--a specimen rare     Of those wigs made for antediluvian wear,     Which, it seems, stood the Flood without turning a hair--     Mr. Tomkins rose up, and requested attention     To facts no less wondrous which he had to mention.     Some large fossil creatures had lately been found,     Of a species no longer now seen above ground,     But the same (as to Tomkins most clearly appears)     With those animals, lost now for hundreds of years,     Which our ancestors used to call "Bishops" and "Peers,"     But which Tomkins more erudite names has bestowed on,     Having called the Peer fossil the Aris-tocratodon,[1]     And, finding much food under t'other one's thorax,     Has christened that creature the Episcopus Vorax.     Lest the savantes and dandies should think this all fable,     Mr. Tomkins most kindly produced, on the table,     A sample of each of these species of creatures,     Both tolerably human, in structure and features,     Except that the Episcopus seems, Lord deliver us!     To've been carnivorous as well as granivorous;     And Tomkins, on searching its stomach, found there     Large lumps, such as no modern stomach could bear,     Of a substance called Tithe, upon which, as 'tis said,     The whole Genus Clericum formerly fed;     And which having lately himself decompounded,     Just to see what 'twas made of, he actually found it     Composed of all possible cookable things     That e'er tript upon trotters or soared upon wings--     All products of earth, both gramineous, herbaceous,     Hordeaceous, fabaceous and eke farinaceous,     All clubbing their quotas, to glut the oesophagus     Of this ever greedy and grasping Tithophagus.[2]     "Admire," exclaimed Tomkins. "the kind dispensation     "By Providence shed on this much-favored nation,     "In sweeping so ravenous a race from the earth,     "That might else have occasioned a general dearth--     "And thus burying 'em, deep as even Joe Hume would sink 'em,     "With the Ichthyosaurus and Paloeorynchum,     "And other queer ci-devant things, under ground--     "Not forgetting that fossilized youth,[3] so renowned,     "Who lived just to witness the Deluge--was gratified     "Much by the sight, and has since been found stratified!"     This picturesque touch--quite in Tomkins's way--     Called forth from the savantes a general hurrah;     While inquiries among them, went rapidly round,     As to where this young stratified man could be found.     The "learned Theban's" discourse next as livelily flowed on,     To sketch t'other wonder, the Aristocratodon--     An animal, differing from most human creatures     Not so much in speech, inward structure or features,     As in having a certain excrescence, T. said,     Which in form of a coronet grew from its head,     And devolved to its heirs, when the creature was dead;     Nor mattered it, while this heirloom was transmitted,     How unfit were the heads, so the coronet fitted.     He then mentioned a strange zological fact,     Whose announcement appeared much applause to attract.     In France, said the learned professor, this race     Had so noxious become, in some centuries' space,     From their numbers and strength, that the land was o'errun with 'em,     Every one's question being, "What's to be done with em?"     When, lo! certain knowing ones--savans, mayhap,     Who, like Buckland's deep followers, understood trap,[4]     Slyly hinted that naught upon earth was so good     For Aristocratodons, when rampant and rude,     As to stop or curtail their allowance of food.     This expedient was tried and a proof it affords     Of the effect that short commons will have upon lords;     For this whole race of bipeds, one fine summer's morn,     Shed their coronets, just as a deer sheds his horn,     And the moment these gewgaws fell off, they became     Quite a new sort of creature--so harmless and tame,     That zologists might, for the first time, maintain 'em     To be near akin to the genius humanum,     And the experiment, tried so successfully then,     Should be kept in remembrance when wanted again.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem, written in a light satirical style, expertly merges elements of paleontology with societal commentary. The central theme revolves around the critique of societal hierarchy, specifically the clergy and the aristocracy, represented through the metaphorical creatures 'Episcopus Vorax' and 'Aristocratodon' respectively. The poet uses humor and sarcasm, painting a vivid picture of these ancient creatures, skillfully manipulating their characteristics to mirror the traits of the societal classes they represent.

The poem’s structure adheres to a rhythmic, rhyming scheme, which, in combination with its playful tone, allows for a smooth, engaging read. The use of the fossil metaphor and the consistent anthropomorphizing of these 'creatures' serve as standout literary devices, drawing a clear parallel between past and contemporary society. The poet’s use of scientific nomenclature adds an element of authenticity to the satire, making his critique of societal structure and class distinctions both biting and humorous. The final stanzas indicate a call for societal evolution, suggesting that change is possible and that the societal structures of the past need not dictate the future.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.