Announcement Of A New Thalaba. Addressed To Robert Southey, Esq

By Thomas Moore

    When erst, my Southey, thy tuneful tongue     The terrible tale of Thalaba sung--     Of him, the Destroyer, doomed to rout     That grim divan of conjurors out,     Whose dwelling dark, as legends say,     Beneath the roots of the ocean lay,     (Fit place for deep ones, such as they,)     How little thou knewest, dear Dr. Southey,     Altho' bright genius all allow thee,     That, some years thence, thy wondering eyes     Should see a second Thalaba rise--     As ripe for ruinous rigs as thine,     Tho' his havoc lie in a different line,     And should find this new, improved Destroyer     Beneath the wig of a Yankee lawyer;     A sort of an "alien," alias man,     Whose country or party guess who can,     Being Cockney half, half Jonathan;     And his life, to make the thing completer,     Being all in the genuine Thalaba metre,     Loose and irregular as thy feet are;--     First, into Whig Pindarics rambling,     Then in low Tory doggrel scrambling;     Now love his theme, now Church his glory     (At once both Tory and ama-tory),     Now in the Old Bailey-lay meandering,     Now in soft couplet style philandering;     And, lastly, in lame Alexandrine,     Dragging his wounded length along,     When scourged by Holland's silken thong.     In short, dear Bob, Destroyer the Second     May fairly a match for the First be reckoned;     Save that your Thalaba's talent lay     In sweeping old conjurors clean away,     While ours at aldermen deals his blows,     (Who no great conjurors are, God knows,)     Lays Corporations, by wholesale, level,     Sends Acts of Parliament to the devil,     Bullies the whole Milesian race--     Seven millions of Paddies, face to face;     And, seizing that magic wand, himself,     Which erst thy conjurors left on the shelf,     Transforms the boys of the Boyne and Liffey     All into foreigners, in a jiffy--     Aliens, outcasts, every soul of 'em,     Born but for whips and chains, the whole of 'em?     Never in short did parallel     Betwixt two heroes gee so well;     And among the points in which they fit,     There's one, dear Bob, I cant omit.     That hacking, hectoring blade of thine     Dealt much in the Domdaniel line;     And 'tis but rendering justice due,     To say that ours and his Tory crew     Damn Daniel most devoutly too.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a complex and engaging piece that masterfully utilizes satirical elements to communicate its themes. At its core, it's a critique and comparison between two figures, "Thalaba the Destroyer" from Robert Southey's poem and a "Yankee lawyer", presumably a political figure of the era. The poet uses this comparison to provide commentary on the political landscape, but also to highlight the shared human propensity for upheaval and destruction, albeit in different arenas and with different methods.

The tone of the poem is a blend of humor and pointed critique, which balances the seriousness of the themes with an accessible delivery. The structure is loose and irregular, mimicking the unpredictable and chaotic nature of the subjects it discusses. This is reinforced by the playful and varied rhyme scheme, which keeps the reader engaged and adds to the satirical tone. The poem is also rich in metaphors and imagery, particularly in the descriptions of the "Destroyer" characters and their actions. The reference to "Thalaba's talent" of "sweeping old conjurors clean away", for example, is a vivid way of describing the process of challenging the established order. The poem also uses this imagery to draw parallels between the two figures, suggesting that despite their differences, they are both agents of change and disruption. This analysis is a testament to the poet's ability to use language and structure to create a layered and thought-provoking commentary.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.