Animal Magnetism

By Thomas Moore

    Tho' famed was Mesmer, in his day,     Nor less so, in ours, is Dupotet,     To say nothing of all the wonders done     By that wizard, Dr. Elliotson,     When, standing as if the gods to invoke, he     Up waves his arm, and--down drops Okey![1]     Tho' strange these things, to mind and sense,         If you wish still stranger things to see--     If you wish to know the power immense     Of the true magnetic influence,         Just go to her Majesty's Treasury,     And learn the wonders working there--     And I'll be hanged if you dont stare!     Talk of your animal magnetists,     And that wave of the hand no soul resists,     Not all its witcheries can compete     With the friendly beckon towards Downing Street,     Which a Premier gives to one who wishes     To taste of the Treasury loaves and fishes.     It actually lifts the lucky elf,     Thus acted upon, above himself;--     He jumps to a state of clairvoyance,     And is placeman, statesman, all, at once!     These effects, observe (with which I begin),     Take place when the patient's motioned in;     Far different of course the mode of affection,     When the wave of the hand's in the out direction;     The effects being then extremely unpleasant,     As is seen in the case of Lord Brougham, at present;     In whom this sort of manipulation,     Has lately produced such inflammation,     Attended with constant irritation,     That, in short--not to mince his situation--     It has workt in the man a transformation     That puzzles all human calculation!     Ever since the fatal day which saw     That "pass" performed on this Lord of Law--     A pass potential, none can doubt,     As it sent Harry Brougham to the right about--     The condition in which the patient has been     Is a thing quite awful to be seen.     Not that a casual eye could scan         This wondrous change by outward survey;     It being, in fact, the interior man         That's turned completely topsy-turvy:--     Like a case that lately, in reading o'er 'em,     I found in the Acta Eruditorum,     Of a man in whose inside, when disclosed,     The whole order of things was found transposed;     By a lusus naturae, strange to see,     The liver placed where the heart should be,     And the spleen (like Brougham's, since laid on the shelf)     As diseased and as much out of place as himself.     In short, 'tis a case for consultation,     If e'er there was one, in this thinking nation;     And therefore I humbly beg to propose,     That those savans who mean, as the rumor goes,     To sit on Miss Okey's wonderful case,     Should also Lord Parry's case embrace;     And inform us, in both these patients' states,     Which ism it is that predominates,     Whether magnetism and somnambulism,     Or, simply and solely, mountebankism.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a satirical piece that juxtaposes the world of mesmerism and magic with the political machinations of the British government, specifically the Treasury. The poet uses this comparison to critique the power dynamics and manipulation in politics, suggesting that they are as inexplicable and potentially deceptive as the tricks of a magician.

The tone of this poem is sardonic and playful, filled with wit and a keen sense of observation. The poet employs the literary device of metaphor extensively, likening political maneuvering to the art of mesmerism. This comparison underscores the poet's view of the political world as one where power and influence are wielded like a magician's wand, causing transformations and manipulations that are both puzzling and awe-inspiring.

The structure of the poem is consistent, following a rhythmic pattern that adds a lighthearted and engaging pace to the critique. The poet also uses humor and irony, particularly in the description of Lord Brougham's predicament, to further emphasize the absurdity of the political game.

In conclusion, the poem is a clever critique of politics, using the world of mesmerism as a metaphor to highlight the manipulation, power play, and transformations inherent in the political sphere. The sardonic tone, consistent structure, and use of metaphor and irony all contribute to a witty and engaging commentary on the realm of politics.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.