Amatory Colloquy Between Bank And Government

By Thomas Moore

    BANK.     Is all then forgotten? those amorous pranks         You and I in our youth, my dear Government, played;     When you called me the fondest, the truest of Banks,         And enjoyed the endearing advances I made!     When left to ourselves, unmolested and free,         To do all that a dashing young couple should do,     A law against paying was laid upon me,         But none against owing, dear helpmate, on you.     And is it then vanisht?--that "hour (as Othello         So happily calls it) of Love and Direction?"     And must we, like other fond doves, my dear fellow,         Grow good in our old age and cut the connection?     GOVERNMENT.     Even so, my beloved Mrs. Bank, it must be;         This paying in cash plays the devil with wooing:     We've both had our swing, but I plainly foresee         There must soon be a stop to our billing and cooing.     Propagation in reason--a small child or two--         Even Reverend Malthus himself is a friend to;     The issue of some folks is moderate and few--         But ours, my dear corporate Bank, there's no end to!     So--hard tho' it be on a pair, who've already         Disposed of so many pounds, shillings and pence;     And in spite of that pink of prosperity, Freddy,[1]         So lavish of cash and so sparing of sense--     The day is at hand, my Papyria[2] Venus,         When--high as we once used to carry our capers--     Those soft billet-doux we're now passing between us,         Will serve but to keep Mrs. Coutts in curl-papers:     And when--if we still must continue our love,         (After all that has past)--our amour, it is clear,     Like that which Miss Dane managed with Jove,         Must all be transacted in bullion, my dear!     February, 1826.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem employs a clever and satirical personification of the relationship between a bank and the government. This relationship is likened to that of a romantic couple, with a humorous exploration of their 'youthful pranks' and 'endearing advances'. The dialogue format further adds to the personification, allowing each entity to express their own perspective on the 'relationship', which is a unique and humorous structural choice.

The poem's tone is light yet pointed, revealing a critique of financial policies and practices beneath the surface of its playful banter. The poet uses financial terminology within the romantic discourse, words such as "owing," "paying in cash," and "billing and cooing" which cleverly blend two disparate worlds.

The poem is rich in literary devices, including allusions to Othello and Reverend Malthus, adding depth and context to the poem. The phrase "Propagation in reason--a small child or two--" is a clear nod to Malthus' theories on population control, subtly introducing the theme of excess and uncontrolled growth, which mirrors the poet's critique of unchecked financial practices.

In the final stanzas, there is a sense of impending change, with the poet suggesting that the frivolous 'love' between the bank and government will need to be replaced with something more substantial ('bullion'). This shift in tone towards the end suggests a more serious underlying message about fiscal responsibility. Overall, the poem is a clever critique of financial institutions, disguised within a playful, romantic satire.