A Dream Of Turtle

By Thomas Moore

    BY SIR W. CURTIS.     1826.     'Twas evening time, in the twilight sweet     I sailed along, when--whom should I meet     But a Turtle journeying o'er the sea,     "On the service of his Majesty."[1]     When spying him first thro' twilight dim,     I didn't know what to make of him;     But said to myself, as slow he plied     His fins and rolled from side to side     Conceitedly o'er the watery path--     "'Tis my Lord of Stowell taking a bath,     "And I hear him now, among the fishes,     "Quoting Vatel and Burgersdicius!"     But, no--'twas, indeed, a Turtle wide     And plump as ever these eyes descried;     A turtle juicy as ever yet     Glued up the lips of a Baronet!     And much did it grieve my soul to see     That an animal of such dignity,     Like an absentee abroad should roam,     When he ought to stay and be ate at home.     But now "a change came o'er my dream,"         Like the magic lantern's shifting slider;     I lookt and saw by the evening beam         On the back of that Turtle sat a rider--     A goodly man with an eye so merry,     I knew 'twas our Foreign Secretary,[2]     Who there at his ease did sit and smile,     Like Waterton on his crocodile;[3]     Cracking such jokes, at every motion,         As made the Turtle squeak with glee     And own they gave him a lively notion         Of what his forced-meat balls would be.     So, on the Sec. in his glory went.     Over that briny element,     Waving his hand as he took farewell     With graceful air, and bidding me tell     Inquiring friends that the Turtle and he     Were gone on a foreign embassy--     To soften the heart of a Diplomat,     Who is known to dote upon verdant fat,     And to let admiring Europe see,     That calipash and calipee     Are the English forms of Diplomacy.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem, penned by Sir W. Curtis in 1826, takes on a humorous tone and uses narrative elements to explore themes of British diplomacy and aristocracy. The central motif of the turtle serves as a satirical symbol, representing an individual of high status and importance, presumed to be a noble or diplomat indulging in the pleasures of a foreign land, while shirking their homeland responsibilities.

The poem employs consistent rhyming couplets, contributing to its whimsical and light-hearted tone. This structure also propels the narrative forward, heightening the anticipation and absurdity of the unfolding scenario. The poet implements imagery and personification, as seen in the turtle's anthropomorphic actions and the portrayal of the Foreign Secretary as a merry, joke-cracking, turtle-rider, further enhancing the poem's satirical nature.

The use of historical and cultural allusions (Vatel, Burgersdicius, Waterton, etc.) provides depth and context to the satire, while the phrases "calipash" and "calipee" - parts of a turtle used in gourmet cooking - symbolise the indulgence of the aristocracy. The ending ties the narrative and themes together, suggesting that the turtle and the Secretary's journey represents the 'English forms of Diplomacy' - an amusing commentary on the potential superficiality and extravagance of diplomatic endeavors. Overall, the poem offers a humorous critique of British high society, using animal symbolism and witty narrative to convey its themes.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.