A Blue Love Song. To Miss-----

By Thomas Moore

    Air-"Come live with me and be my love."     Come wed with me and we will write,     My Blue of Blues, from morn till night.     Chased from our classic souls shall be     All thoughts of vulgar progeny;     And thou shalt walk through smiling rows     Of chubby duodecimos,     While I, to match thy products nearly,     Shall lie-in of a quarto yearly.     'Tis true, even books entail some trouble;     But live productions give one double.     Correcting children is such bother,--     While printers' devils correct the other.     Just think, my own Malthusian dear,     How much more decent 'tis to hear     From male or female--as it may be--     "How is your book?" than "How's your baby?"     And whereas physic and wet nurses     Do much exhaust paternal purses,     Our books if rickety may go     And be well dry-nurst in the Row;     And when God wills to take them hence,     Are buried at the Row's expense.     Besides, (as 'tis well proved by thee,     In thy own Works, vol. 93.)     The march, just now, of population     So much outscrips all moderation,     That even prolific herring-shoals     Keep pace not with our erring souls.[1]     Oh far more proper and well-bred     To stick to writing books instead;     And show the world how two Blue lovers     Can coalesce, like two book-covers,     (Sheep-skin, or calf, or such wise leather,)     Lettered at back and stitched together     Fondly as first the binder fixt 'em,     With naught but--literature betwixt 'em.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
The poem reveals a playful, intellectual exploration of love and life, where the speaker invites their beloved to share a life dedicated to literary creation, rather than physical progeny. The theme of literature versus progeny is established through an extended metaphor comparing children to books. The tone of the poem is light and wry, with a hint of satirical commentary on societal norms, particularly the expectations of marriage and childbearing.

The structure of the poem, composed of rhymed couplets, lends a rhythmic pace to the piece, which complements the conversational and lighthearted tone. The use of personification and imagery are standout literary devices. The speaker refers to books as "chubby duodecimos," a term used to describe a size of book, but also cleverly infers a comparison to children. This theme is further developed with the speaker using the metaphor of books being 'nursed' and 'buried' at the Row's expense, likely referring to Paternoster Row, a historical center of the London publishing trade.

The speaker's language is rich in literary and cultural references, with a nod to the Malthusian theory of population control, indicating a preference for intellectual pursuits over physical reproduction. There's also a delightful pun with the use of the term 'Blue', which could be interpreted as a term of endearment, but is also a historical term for a scholarly woman, hinting at the intellectual compatibility of the speaker and their beloved. The final image, where lovers are compared to 'book-covers' bound together by literature, is a fitting conclusion to this clever and charming poem.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.