Years After The War In Australia

By Henry Lawson

    The Big rough boys from the runs out back were first where the balls flew free,     And yelled in the slang of the Outside Track: By God, its a Christmas spree!     Its not too rusty, and Wool away!, stand clear of the blazing shoots!,     Sheep O! Sheep O!, Well cut out to-day, Look out for the bosss boots!     What price the tally in camp to-night!, What price the boys Out Back!     Go it, you tigers, for Right or Might and the pride of the Outside Track!     Needle and thread!, I have broke my comb!, Now ride, you flour-bags, ride!     Fight for your mates and the folk at home!, Heres for the Lachlan side!     Those men of the West would sneer and scoff at the gates of hell ajar,     And oft the sight of a head cut off was hailed by a yell for Tar!     I heard the push in the Red Redoubt, irate at a luckless shot:     Look out for the blooming shell, look out!, Gor blime, but thats red-hot!     Its Bill the Slogger, poor bloke, hes done. A chunk of the shell was his;     I wish the be beggar that fired that gun could get within reach of Liz.     Those foreign gunners will give us rats, but I wish it was Bill they missed.     Id like to get at their bleeding hats with a rock in my (something) fist.     Hold up, Billy; Ill stick to you; theyve hit you under the belt;     If we get the waddle Ill swag you through, if the blazing mountains melt;     You remember the night when the traps got me for stoushing a bleeding Chow,     And you went for em proper and laid out three, and I wont forget it now.     And, groaning and swearing, the pug replied: Im done . . . theyve knocked me out!     Id fight them all for a pound a-side, from the boss to the rouseabout.     My nut is cracked and my legs is broke, and it gives me worse than hell;     I trained for a scrap with a twelve-stone bloke, and not with a bursting shell.     You neednt mag, for I knowed, old chum, I knowed, old pal, youd stick;     But you cant hold out till the reglars come, and youd best be nowhere quick.     Theyve got a force and a gun ashore, both of our wings is broke;     Theyll storm the ridge in a minute more, and the best you can do is smoke.     And Jim exclaimed: You can smoke, you chaps, but me, Gor blime, no!     The push that ran from the George-street traps wont run from a foreign foe.     Ill stick to the gun while she makes them sick, and Ill stick to whats left of Bill.     And they hiss through their blackened teeth: Well stick! by the blazing flame, we will!     And long years after the war was past, they told in the town and bush     How the ridge of death to the bloody last was held by a Sydney push;     How they fought to the end in a sheet of flame, how they fought with their rifle-stocks,     And earned, in a nobler sense, the name of their ancient weapons, rocks.     In the western camps it was ever our boast, when twas bad for the kangaroo:     If the enemys forces take the coast, they must take the mountains, too;     They may force their way by the western line or round by a northern track,     But they wont run short of a decent spree with the men who are left out back!     When we burst the enemys ironclads and won by a run of luck,     We whooped as loudly as Nelsons lads when a French three-decker struck,     And when the enemys troops prevailed the truth was never heard,     We lied like heroes who never failed explaining how that occurred.     You bushmen sneer in the old bush way at the new-chum jackeroo,     But cuffs-n-collers were out that day, and they stuck to their posts like glue;     I never believed that a dude could fight till a Johnny led us then;     We buried his bits in the rear that night for the honour of George-street men.     And Jim the Ringer, he fought, he did. The regiment nicknamed Jim,     Old Heads a Caser and Heads a Quid, but it never was tails with him.     The way that he rode was a racing rhyme, and the way that he finished grand;     He backed the enemy every time, and died in a hand-to-hand!     Ill never forget when the ringer and I were first in the Bush Brigade,     With Warrego Bill, from the Live-till-you-Die, in the last grand charge we made.     And Billy died, he was full of sand, he said, as I raised his head:     Im full of love for my native land, but a lot too full of lead.     Tell em, said Billy, and tell old dad, to look after the cattle pup;     But his eyes grew bright, though his voice was sad, and he said, as I held him up:     I have been happy on western farms. And once, when I first went wrong,     Around my neck were the trembling arms of the girl Id loved so long.     Far out on the southern seas Ive sailed, and ridden where brumbies roam,     And oft, when all on the station failed, Ive driven the outlaw home.     Ive spent a cheque in a day and night, and Ive made a cheque as quick;     I struck a nugget when times were tight, and the stores had stopped our tick.     Ive led the field on the old bay mare, and I hear the cheering still,     When mother and sister and she were there, and the old man yelled for Bill;     But, save for her, could I live my while again in the old bush way,     Id give it all for the last half-mile in the race we rode to-day!     And he passed away as the stars came out, he died as old heroes die,     I heard the sound of the distant rout, and the Southern Cross was high.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is an eloquent portrayal of camaraderie and bravery, set against the harsh backdrop of war. Its narrative is grounded in the uniquely Australian context of the bush, yet its themes are universal. Central to the narrative is an exploration of the human capacity for courage, resilience, and loyalty in the face of adversity. The tone is a blend of urgency, sombreness, and determination, punctuated by moments of high drama and unflinching realism.

The structure of the poem, a series of vivid vignettes, serves to emphasise the progression of the narrative, from the initial engagement in battle to the poignant reflections of the survivors. The language is richly colloquial, imbued with Australian slang and regional dialect, lending authenticity and texture to the narrative. The use of direct speech and dialogue throughout the poem enhances its dramatic impact and immerses the reader in the unfolding action.

The poet's use of powerful imagery and metaphoric language is exceptional. Phrases such as 'the ridge of death', 'sheet of flame' and 'blazing mountains melt' evoke the harrowing circumstances of warfare. The repetition of 'stick' and 'held' signifies the resolve and tenacity of the protagonists. The poem's conclusion, with its starlit sky and the 'Southern Cross' high above, provides a poignant contrast to the chaos and violence that precedes it, a testament to the indomitable human spirit.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.