Author: Henry Lawson

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    In Windsor Terrace, number four,
    Ive taken my abode,
    A little crescent from the street,
    A bight from City Road;
    And, hard up and in exile, I
    To many fancies yield;
    For it was here Micawber lived
    And David Copperfield.

    A bed, a table, and a chair,
    A bottle and a cup.
    The landlords waiting even now
    For something to turn up.
    The landlady is spiritless,
    They both seem tired of life;
    They cannot fight the battle like
    Micawber and his wife.

    But in the little open space
    That lies back from the street,
    The same old ancient, shabby clerk
    Is sitting on a seat.
    The same sad characters go by,
    The ragged children play,
    And things have very little changed
    Since Dickens passed away.

    Some seek religion in their grief,
    And some for friendship yearn;
    Some fly to liquor for relief,
    But I to Dickens turn.
    I find him ever fresh and new,
    His lesson ever plain;
    And every line that Dickens wrote
    Ive read and read again.

    The taverns just across the wye,
    And frowsy women there
    Are gossiping and drinking gin,
    And twisting up their hair.
    And grubby girls go past at times,
    And furtive gentry lurk,
    I dont think anyone has died
    Since Dickens did his work.

    Theres Jingle, Tigg, and Chevy Slyme,
    And Weevle, whom you will;
    And hard-up virtue proudly slinks
    Into the pawnshop still.
    Go east a bit from City Road,
    And all the rest are there,
    A friendly whistle might produce
    A Chicken anywhere.

    My favourite authors heroes I
    Should love, but somehow cant.
    I dont like David Copperfield
    As much as Davids Aunt,
    And it may be because my mind
    Has been in many fogs,
    I dont like Nicholas Nickleby
    So well as Newman Noggs.

    I dont like Richard Carstone, Pip,
    Or Martin Chuzzlewit,
    And for the rich and fatherly
    I scarcely care a bit.
    The honest, sober clods are bores
    Who cannot suffer much,
    And with the Esther Summersons
    I never was in touch.

    The Charleys and the haggard wives,
    Kind hearts in poverty,
    And yes! the Lizzie Hexams, too,
    Are very near to me;
    But men like Brothers Cheeryble,
    And Madeline Bray divine,
    And Nell, and Little Dorrit live
    In a better world than mine.

    The Nicklebys and Copperfields,
    They do not stand the test;
    And in my heart I dont believe
    That Dickens loved them best.
    I cant admire their ways and talk,
    I do not like their looks,
    Those selfish, injured sticks that stalk
    Through all the Masters books.

    Theyre mostly selfish in their love,
    And selfish in their hate,
    They marry Dora Spenlows, too,
    While Agnes Wickfields wait;
    And back they come to poor Tom Pinch
    When hard-up for a friend;
    They come to wrecks like Newman Nogga
    To help them in the end.

    And, well, maybe I am unjust,
    And maybe I forget;
    Some of us marry dolls and jilt
    Our Agnes Wickfields yet.
    We seek our friends when fortune frowns,
    It has been ever thus,
    And we neglect Joe Gargery
    When fortune smiles on us.

    They get some rich old grandfather
    Or aunt to see them through,
    And you can trace self-interest
    In nearly all they do.
    And scoundrels like Ralph Nickleby,
    In spite of all their crimes,
    And crawlers like Uriah Heep
    Told bitter truths at times.

    But, yes, I love the vagabonds
    And failures from the ranks,
    And hard old files with hidden hearts
    Like Wemmick and like Pancks.
    And Jaggers had his poor dreams, too,
    And fond hopes like the rest,
    But, somehow, somehow, all my life
    Ive loved Dick Swiveller best!

    But, let us peep at Snagsby first
    As softly he lays down
    Beside the bed of dying Joe
    Another half-a-crown.
    And Nemos wretched pauper grave,
    But we can let them be,
    For Joe has said to Heaven: They
    Wos werry good to me.

    And Wemmick with his aged P, ,
    No doubt has his reward;
    And Jaggers, hardest nut of all,
    Will be judged by the Lord.
    And Pancks, the rent-collecting screw,
    With laurels on his brow,
    Is loved by all the bleeding hearts
    In Bleeding Heart Yard now.

    Tom Pinch is very happy now,
    And Magwitch is at rest,
    And Newman Noggs again might hold
    His head up with the best;
    Micawber, too, when all is said,
    Drank bravely Sorrows cup,
    Micawber worked to right them all,
    And something did turn up.

    How do John Edward Nandy, Sir!
    And Plornish get along?
    Why! if the old man is in voice
    Well hear him pipe a song.
    Well have a look at Baptiste, too,
    While still the night is young,
    With Mrs. Plornish to explain
    In the Italian tongue.

    Before we go well ask about
    Poor young John Chivery:
    There never was a gentleman
    In all his family.
    His hopeless love, his broken heart,
    But to his rival true;
    He came of Natures gentlemen,
    But young John never knew.

    Well pass the little midshipman
    With heart that swells and fills,
    Where Captain Edard Cuttle waits
    For Walr and Sol Gills.
    Jack Bunsby stands by what he says
    (Which isnt very clear),
    And Toots with his own hopeless love,
    As true as any here.

    And who that read has never felt
    The sorrow that it cost
    When Captain Cuttle read the news
    The Son and Heir was lost?
    And who that read has not rejoiced
    With him and Hearts Delight,
    And felt as Captain Cuttle felt
    When Walr came that night?

    And yonder, with a broken heart,
    That people thought was stone,
    Deserted in his ruined home,
    Poor Dombey sits alone.
    Who has not gulped a something down,
    Whose eye has not grown dim
    While feeling glad for Dombeys sake
    When Florence came to him?

    (A stately house in Lincolnshire,
    The scene is bleak and cold,
    The footsteps on the terrace sound
    To-night at Chesney Wold.
    One who loved honour, wife, and truth,
    If nothing else besides,
    Along the dreary Avenue
    Sir Leicester Dedlock rides.)

    Well go round by Poll Sweedlepipes,
    The bird and barber shop;
    If Sairey Gamp is so dispoged
    Well send her up a drop.
    Well cross High Holborn to the Bull,
    And, if he cares to come,
    By streets that are not closed to him
    Well see Dick Swiveller home.

    Hes looking rather glum to-night,
    The why I will not ask,
    No matter how we act the goat,
    We mostly wear a mask.
    Some wear a mask to hide the false
    (And some the good and true),
    I wouldnt be surprised to know
    Mark Tapley wore one too.

    We wear a mask called cheerfulness
    While feeling sad inside;
    And men like Dombey, who was shy,
    Oft wear a mask called pride.
    A front of pure benevolence
    The grinding Patriarch bore;
    And kind men often wear a mask
    Like that which Jaggers wore.


    But, never mind, Dick Swiveller!
    Well see it out together
    Beneath the wing of friendship, Dick,
    That never moults a feather.
    Well look upon the rosy yet
    Full many a night, old friend,
    And tread the mazy ere we woo
    The balmy in the end.

    Our palace walls are rather bare,
    The floor is somewhat damp,
    But, while theres liquor, anywhere
    Is good enough to camp.
    What ho! mine host! bring forth thine ale
    And let the board be spread!,
    It is the hour when churchyards yawn
    And wine goes to the head.

    Twas you who saved poor Kit, old chap,
    When he was in a mess,
    But, what ho! Varlet! bring us wine!
    Heres to the Marchioness!
    Well make a scholar of her yet,
    Shell be a lady fair,
    And she shall go in silk attire
    And siller have to spare.

    From sport to sport they hurry her
    To banish her regrets,
    And when we win a smile from her
    We cannot pay our debts!
    Left orphans at a tender age,
    Were happiest in the land,
    Were Glorious Apollos, Dick,
    And youre Perpetual Grand!

    Youre king of all philosophers,
    And let the Godly rust;
    Heres to the obscure citizen
    Who sent the beer on trust?
    It sure would be a cheerful world
    If never man got tight;
    You spent your money on your friends,
    Dick Swiveller! Good night!

    A dissolute and careless man,
    An idle, drunken path;
    But see where Sidney Carton spills
    His last drink on the hearth!
    A ruined life! He lived for drink
    And but one thing beside,
    And Oh! it was a glorious death
    That Sidney Carton died.



    And Which I meantersay is Pip,
    The voices hurry past,
    Not to deceive you, sir, Stand by!
    Awast, my lass, awast!
    Beware of widders, Samivel,
    And shun strong drink, my friend;
    And, not to put too fine a point
    Upon it, I must end.

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Type of Poem: Narrative Poem

Date Written:

Date Published:

Language: English

Keywords: Public Domain

Source: Public Domain Collection

Publisher:

Rights/Permissions: Public Domain

Comments/Notes: The poem is a profound tribute to Charles Dickens and his memorable characters. It delves into the themes of poverty, struggle, resilience, and the transformative power of literature. The poet vividly portrays the harsh living conditions in urban areas, echoing Dickens's social commentary, and juxtaposes this reality with the escapism offered by Dickens's works.

The tone is engagingly conversational, with a touch of melancholy, as the poet reflects on his own circumstances and the enduring relevance of Dickens's characters. The structure, which consists of rhyming quatrains, is consistent throughout, giving the poem a rhythmic quality that aids in the delivery of its message.

In terms of literary devices, the poet employs allusion extensively, referencing characters from Dickens's novels to illustrate the shared struggles and triumphs of humanity. There's also a notable use of imagery and metaphor, with the poet likening his living conditions to the settings of Dickens's novels. Additionally, the poet's self-reflection and comparison of his own experiences with those of Dickens's characters offer a compelling blend of personal and literary introspection.

Overall, the poem serves as a testament to the enduring power of literature, underscoring how Dickens's works continue to resonate and provide solace amidst the harsh realities of life.