A Dan Yell

By Henry Lawson

    I wish Id never gone to board     In that house where I met     The touring lady from abroad,     Who mocks my nightmares yet.     I wish, I wish that she had saved     Her news of what shed seen,     That Dan OConnor is clean shaved     And parts his hair between.     The ladies down at Manly now,     And widows understood,     No more deplore their marriage vow     Or hopeless widowhood.     For Dan OConnor is the same     As though hed never been,     Since Daniel shaved that shave of shame,     And combed his hair between.     No more, Oh Bards, in Danyel tones     Hell voice our several fames,     And nevermore hell mix our bones     As once he mixed our names.     Let Southern minstrels dree their weird     And lay their sad harps down,     For Dan OConnors shorn of beard     And cracked across the crown.     The lobby and refreshment room     Are shorn of half their larks,     A newer ghost now haunts the gloom     That knew the ghost of Parkes:     The brightest joke Australia had     Is but a hopeless grunt,     It went for ever mad and bad     When Daniel shaved his front.     The fair Spotswhoshky weeps indeed,     Frogsleggi and Bung Lung,     With none to greet and none to speed     Them in their native tongue!     By Sucklar Key nor Golden Gate     No Dan is ever seen     Since Dan OConnor wiped his slate     And notched his top between.     But, Dan OConnor, (Lord knows best     The thing might be a sell),     You surely will forgive a jest     From one who wished you well,     When weve forgot the face we feared     And Time has deadened pain,     Oh! Dan OConnor, grow your beard,     And come to us again.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem reflects a lament for a lost or changed friend named Dan O'Connor, manifesting a sense of nostalgia and longing for past times. The poet uses repetition of phrases like "Dan O'Connor" and "shaved" and "combed his hair between," as a method of emphasizing the changes O'Connor has undergone, both physical and presumably in character, and how those changes have impacted the speaker and their shared community.

The poem's tone is fond and melancholic, filled with regret over the loss of the familiar Dan O'Connor. The writer employs hyperbole and humor to reflect the magnitude of the change, suggesting that even a simple act like shaving can trigger profound shifts. The use of colloquial language and specific details, such as the mention of places like Manly, Sucklar Key, and Golden Gate, adds a touch of realism and specificity to the narrative.

The structure of the poem is consistent, maintaining a steady rhythm and rhyme scheme, which further emphasizes the sense of the familiar, the routine, and the regularity that has been disrupted by Dan O'Connor's transformation. The poem ends with a plea, an invitation for Dan O'Connor to revert to his old self, which adds a poignant note of longing to the piece.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.